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Coemar's
new iWash LEDThis innovative projector utilises the latest innovations in high-powered LED technology to produce enormous output from a compact, articulated fixture whilst maintaining all the advantages of extraordinarily long lamp life and minimal heat output. Featuring a stylish housing, the fixture also boasts: colour: infinite colour output generated by a convergent RGB colour system beam shaping: using a range of interchangeable lenses and front filters to adjust output. movement: articulated pan and tilt dimmer: full electronic dimming from 0 to 100% strobe: fully adjustable 0 to 100Hz strobing www.coemar.it Australian distributor: Coemar De Sisti www.cdaust.com.au |
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Pulsar
adds to Chroma RangePulsar Light of Cambridge has announced a number of new and forthcoming additions to its popular Chroam Range of LED-based colour changing fixtures. These include the ChromaBirdie - a birdie-sized Par can fitted with the company's ChromaMR16 LED module, and available in silver or black; the ChromaBottleWasher - a small colour-changing uplighter pedestal unit, ideal for up-lighting bottles on a bar. Also new is the ChromaPendant - a chrome-finished unit designed for suspension above tables and bars in clubs and restaurants. Pulsar also says the stainless steel IP68-rated ChromaScape has now started shipping: aimed at use in saline and chlorinated water, it has also been ETL-approved for use in swimming pools. Finally, coming soon from Pulsar is a new ChromaMR16Range. www.pulsarlight.com Australian distributor: Show Technology www.showtech.com.au |
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| New
products from Doug Fleenor Design Doug Fleenor Design, specialist manufacturer of DMX512 distribution and interface equipment for the entertainment industry, has announced its three latest product additions. Firstly, the Preset 10 snapshot console, available in two enclosures, records DMX512 scenes from any DMX source and plays them back at the press of a button. The Architectural version mounts in a single-gang switch box and is powered by a Class 2 'doorbell' transformer. The Portable version is fully enclosed with DMX in and thru connectors and has a universal power supply. Both versions store up to 10 scenes, each of which can have its own fade time from 0 to 999 seconds. As a backup device or as a stand alone console the Preset 10 has many uses. The second new addition, the Pork Chopper, is an economical method of increasing the total number of control channels of a Flying Pig Systems Wholehog II console. The Pork Chopper decodes the special 'Overdrive' signal that three of the four output ports are capable of producing. When connected to an output port producing 'Overdrive', the Pork Chopper decodes the signal into two DMX512 universes. Connecting Pork Choppers to three output ports increases Wholehog II channel capacity from 2048 to 3584 channels. Finally, the DMX96OC decodes 96 consecutive DMX512 channels to open-collector NPN outputs. Each of the outputs is capable of sinking up to 100mA (or more based on duty cycle). This is ideal for driving solenoids, relays or LEDs for fountains or special effects, say the company. An 'output common' terminal block is provided for high current loads. The DMX512 input is optically isolated from the outputs and is protected against mis-wiring up to 120 volts. www.dfd.com |
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| HES
Releases Wholehog III Software v1.3.6
High End Systems has released the latest version of software for the Flying Pig Systems Wholehog® III lighting console. Software version 1.3.6 adds initial direct interaction for remote focus with Cast Lightings WYSIWYG Perform R8 visualization software via Ethernet. In addition, this release improves the functionality of many existing features and enhances the overall performance and reliability of the system. Software version 1.3.6 is available for download at Flying Pig Systems website. This is the second software release by the recently re-organized Hog development team, with the previous release of v1.3.5 just two months prior. Since the departure of several developers in January, High End Systems has been quick to build a new development team. While several of the original developers still occupy the London office, most of the new team is based in the companys Austin, TX headquarters. In keeping with its commitment to provide Wholehog III users with the latest in lighting control technology, High End Systems has implemented a new software development process. According to Brad Schiller, Director of Control Systems Development, a disciplined approach is applied to the development of new software. We are targeting a new release about every two to three months to ensure important fixes and enhancement reach our customers sooner, says Schiller. The software team follows a development plan based upon user suggestions and the product roadmap. Once new features and enhancements have been completed, a new in-house testing department confirms the softwares validity and stability. Finally, the tested software is released to the general user base. Schiller further explains, When one version of software enters the testing phase, then our developers begin working on the next version. This cycle not only ensures thorough development and testing, but also provides users with a consistent set of improvements. In the coming months, High End Systems will announce details of a new user-based, pre-release software evaluation program. This program will collaborate with the internal testing department to appraise software changes and improvements prior to release, Schiller says. The Wholehog III system has continued to grow and evolve since its release and High End Systems is fully committed to the future of the product line. We have a number of significant developments planned in the coming months and details will be released soon. www.highend.com Australian Distributor: ULA www.ula.com.au |
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New
development from FogScreen IncFogScreen Inc has launched its new interactive fog screen. The world's first 'airborne interactive touch screen' is next-generation technology developed from FogScreen's pioneering airborne projection screen. When you write or draw upon the interactive fog screen, say the company, the writing or designs miraculously and continuously float in the air. Interactive, airborne projection screens will find many uses within the entertainment industry and in out-of-home advertising (interactive, walk-through advertisements in airports, malls etc). Because fog screens are unbreakable, they are especially useful in applications intended for the public, such as information screens. The company also points to the need for sterile touch-screen communication devices in hospitals and factory clean rooms, which could potentially be satisfied by the interactive fog screens. FogScreen Inc, founded in Seinäjoki, Finland last year, has received extensive attention in the global media as the first company to release a walk-through projection screen - a product seen as one of the most interesting emerging display technologies. FogScreen projection screens have been produced in limited quantities, and they are being rented for use at exclusive events throughout the world. The company is currently developing a global distribution network for the FogScreen products. The FogScreen airborne projection screen was developed at Finland's Tampere University of Technology, and is based on new technology which allows the creation of a flat and thin layer of fog that can be used for simultaneous high-quality image projection and walk-through. The fog screen, made exclusively from ordinary water, feels dry and cool to the touch and can be used for extended periods of time. The technology has international patents pending. www.fogscreen.com |
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Robe
launches ColorSpot 250 ATRobe's latest product release, the ColorSpot 250AT, builds on the ColorSpot 250 XT, one of its most popular moving head models. ColorSpot 250 'Advanced Technology' is the ColorSpot range luminaire for applications requiring smaller and more discreet lights. The ColorSpot 250 AT is aimed at TV studios, small- to medium-sized clubs and various other types of installation, including retail environments. The fixture uses Robe's high-efficiency optics, designed and manufactured in-house, to ensure the fixture is exceptionally bright for its size, while its streamlined new shell design follows the same aesthetics and style as the larger ColorSpot 1200 AT. ColorSpot 250 features include a new rotating gobo wheel with seven replaceable 'Slot and Lock' dichroic glass gobos and open, and a new colour wheel hosting 10 replaceable 'Slot and Lock' colours plus open. The three-facet rotating prism is now also replaceable. Completely new software enables smooth rotations of both gobos and prisms, and either 8- or 16-bit resolution can be used for gobo and prism indexing, colour precision, focusing and dimmer functions. The improved cooling system ensures better operating conditions for lamp and also reduces noise. www.robe.cz Australian Distributor: ULA www.ula.com.au |
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Martin
Cyclo 03 DMX HO WallwashLike the Cyclo 03 DMX HO, this Wallwash version uses RGB technology to generate both coloured and white light of variable temperature. Based on dimmable 54W T5 fluorescent lamps, it also includes onboard DMX control. The Cyclo 03 DMX HO Wallwash features a discrete design and flawless colour distribution achieved by a combination of advanced optical technology and reflectors with Lambertian characteristics. Because light strikes at the very top of the wall, wall coverage is total, eliminating the upper dark zone commonly associated with wallwashers. Moreover, the design of the metallic reflector ensures that coloured light is first seen when it strikes the projection surface. Like the Cyclo 03 DMX HO, this Wallwash version uses RGB colour mixing to generate both white and coloured light. Using standard 54W T5 lamps, the Cyclo 03 DMX HO Wallwash provides true full-range intensity control of each tube. It can either be controlled by an external DMX controller, or with its own built-in programming capability that allows for pre-set colour sequences. DMX addresses and pre-set programs are selected via an on-board DIP switch. It is possible to link multiple Cyclos together in synchronised master/slave operation. Installation is fast and simple, using through-wired data (RJ-45) and power (Ensto) connecters. The Cyclo 03 DMX HO Wallwash is useful for white and colour washing of walls and ceilings for retail, restaurants, hotels and other commercial applications; as well as programmable colour changes and fluctuating daylight effects for conference rooms, recreation spaces, and multi-functional areas. www.martin.com Australian distributor: Show Technology www.showtech.com.au |
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Martin
Power Switch Pack: PSP-12Martin introduces a convenient new tool for power distribution, an intelligent mobile switch pack useful wherever DMX power control of a complete installation is needed.The Martin PSP-12 gives you easy DMX control of interior and exterior light sources and many other devices. Completely DMX512 compliant, the PSP-12 is a smart and reliable way to control your power installation, saving you time. And using high quality power relays, the PSP-12 will noticeably reduce your installation costs. Safe and reliable operation makes the PSP-12 the perfect power distributor of your system while individual circuit breakers, one on each output, protect your installation against short circuits and overloads. The PSP-12 has a Bypass Safety Switch that allows manual control of all outputs and the DMX address switch is selectable using the pole DIP switches. The DMX protocol gives individual control of all output channels. A high power output of 2300 watts (230 V) on each channel makes it possible to connect nearly any device. Multiple devices can also be connected to the same output with the status of each output clearly indicated through the PSP-12s LED indicators. This industrial grade, quality product will give you reliable operation over many years, enabling you to upgrade existing systems or install cutting edge intelligent power installations. The PSP-12 is perfect for installation in shops, showrooms, shopping malls, venues and offices. In fact, the PSP-12 can provide simple, cost efficient intelligent power installations anywhere architectural lighting is used. www.martin.com Australian distributor: Show Technology www.showtech.com.au |
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Studio
Due CS Series attracts attentionItalian lighting manufacturer Studio Due has reported a strong interest in its lighting products at the recent SIB 2004 (Italy) and ProLight&Sound (Germany) exhibitions - especially in the latest newcomer to the company's range of show lighting - the CS series. The CS4 projector is equipped with four ACL lamps which can be independently switched on and the intensity regulated through the electronic dimmer located on the base; each spot is motorized to enable independent movement on the horizontal axis, while the movement on the vertical axis remains the same for all the spots. The CityColor series will soon be enlarged by the new image projectors of the company's PhotoWall series. www.studiodue.com Australian distributor: Show Technology www.showtech.com.au |
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VectorWorks
11 Now Shipping |
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E.GO
Show Control SystemThe-Fun-Company celebrated the prototype preview of their E.GO show control system at the recent Frankfurt ProLight&Sound show. The first product from this new company promises to be the next hot item in integration and control of lighting, video, and audio. Designed for maximum performance, flexibility, ease of operation, and providing an abundance of innovative features; the E.GO show control is made for the most demanding users in the professional entertainment industry. "No limits, no restrictions, just more than enough", is the answer from the developer team when it comes to the system's capacity and benchmark performance. The concept behind the E.GO show control system sets no limits for the hardware configuration and performance, or the number of devices, parameters, groups, looks, sequences, etc. E.GO's modular concept currently offers three different modules that may be clustered into one or more control surfaces of any combination and quantity. The modules, named Designer, Performer, and Fader, each contains a dedicated user interface and a processor unit. This means that there is a processor running the full E.GO software inside every module - making each module a self-contained control system. If two or more modules are clustered together to work as one control surface or a system, each module can automatically take on the task of a fully tracking backup. "The modular solution allows every user to select the combination and arrangement of modules that is optimal for the current working situation, allowing very flexible and efficient operation even in the largest installations", explains company director Lennart Knauf. Unique details like the backlit wheels with colour rendering are among the features that made tradeshow visitors take notice. Together with the wheels, the patent pending ColorTarget system allows for easy and fast navigation to any color with instant visual feedback from the wheels - taking guesswork out of color mixing. "With the ColorTarget technology we have reinvented the wheel - in a positive sense. Never before was it possible to work so intuitively with a console", says Oliver-M. Kläffling, spokesman for The-Fun- Company. Other innovations include the ShowDrive unit in the designer module, a 16:9 high resolution touch screen in every module, and the extensive use of high-contrast OLED display technology. "We are combining the best hardware components with ground breaking software to bring a totally new experience to the system operator", comments Hans Lau. A highlight of the system software is Reflect - a fully embedded 3D visualizer engine that goes way beyond what operators and designers are used to work with today. Reflect can visualize individual objects and allows control of the objects directly in their own 3D space or in relation to the rest of the system and the performance space. You can also directly and in real time manipulate the 3D environment including scenery and trusses - another step towards the full integration experience that the E.GO show control system promises to deliver. The E.GO is optimized to function in a network environment and it's graphical user interface supports Drag&Drop functionality across multiple modules and control of objects located on remote hardware, as well as Multi-User and Multi-Network operation. The E.GO show control is also the first system designed to take full advantage of the upcoming ACN standard. "I am actively involved in the ACN standard development and have experienced first hand its powerful capabilities. ACN is more than just a successor to DMX; it is a true revolution in the way we design, operate, and interact with control systems and devices. I am proud to say that the E.GO show control system now has a chance to be at the forefront of this exciting new technology", comments software developer Yngve Sandboe. A fter having shown the first prototype, the development team of The- Fun-Company will analyze the customer feedback, refine the design, and continue the work to bring the product to market later this year. All information about the E.GO show control system and The-Fun-Company is available at: www.the-fun-company.com |
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Martin
Architectural latest addition to Cyclo seriesMartin Architectural has introduced the latest addition to its Cyclo range of programmable fluorescent colour changers - designed for dynamic wash lighting and decorative effects in a variety of architectural interiors. Using standard T5 lamp components and DMX control, the Cyclo 03 DMX HO is a programmable RGB luminaire that generates both white and coloured light. Suited to a wide range of retail applications, it also provides an interesting solution for the office environment by applying dynamic light in recreation areas and conference rooms. The Cyclo 03 DMX HO successfully compresses colour-changing technology into an architectural fitting. The full gamut of white and coloured light is achieved by combining three dimmable 54W T5 fluorescent lamps, the primary colours red, green and blue in a process known as additive colour mixing ensuring the light is distributed evenly and smoothly. The Cyclo 03 DMX HO provides true full-range intensity control of each tube. It can either be controlled by an external DMX controller, or with its own built-in programming capability that allows for pre-set colour sequences. DMX addresses and pre-set programs are selected via an on-board DIP switch. It is possible to link multiple Cyclos together in synchronized master/slave operation. Installation is fast and simple, using through-wired data (RJ-45) and power (Ensto) connectors. In addition the new slim-line version offers a number of further features that make for easier installation. www.martin-architectural.com Australian distributor: Show Technology www.showtech.com.au |
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| HES
Introduces Catalyst DV v1.0 Media Server New Server and Software scaled for smaller budgets With the introduction of Catalyst DV v1.0 Media Server and Software, High End Systems Inc. now offers two scalable Catalyst Media Server solutions for any size project and budget. High End Systems is now segmenting its Media Server products into Catalyst Pro and Catalyst DV offerings. In 2003, High End introduced the Catalyst Pro v3.0 Media Server, featuring four video layers and twin outputs. Now designers also have the option of the Catalyst DV v1.0 Media Server and Software, which offers three crossfadable video layers and one output, sized for many new budgets and projects. The Catalyst DV v1.0 Media Server and Software has RS232 and RS422 serial control capabilities, allowing it to control a multitude of video switchers and playback devices. Catalyst DV v1.0 Media Server gives the user the ability to apply more than 80 visual and color effects to digital media. It can be used with the High End Systems DL1 Digital Light fixture or any other video output device. The real time rendering capability translates to zero down time for modifying content. All software packages are based on the fastest Apple Power MAC processing and video card technologies needed to make them fly. Add any effect to a Quicktime movie or still image and instantly see it applied. This creative freedom allows the user to build on an initial concept without costing production time and money. Instant access to more than 64,000 file locations means no waiting for forwarding or rewinding to a piece of content. Loading content on to a Catalyst Media Server is as easy as "dragging and dropping" the file into the library system. DMX control of digital media and video allows the user to tie lighting and video cues to one control desk for unified control of lighting and video. By accessing moving light images and features, projecting video content or creating "virtual scenery" the user has unlimited lighting control, props, backdrops and signage. Combining Catalyst Software with DL1, LED displays, Plasma monitors, and large and small format LCD and DLP projectors creates a dynamic, exciting presentation. www.highend.com Australian Distributor: ULA www.ula.com.au |
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Studio
Due Silver Line
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Strand
to re-launch Patt 23Strand Lighting today announced the re-launch of what has been the most successful sub-kilowatt profile spot in the history of stage lighting. The new Version of the Pattern 23, to be known as the Patt 23C (for cool beam) will feature an axial HPL 575w lamp and a two-part faceted dichroic reflector system. An optional kit will be available for the Patt 23C to give the beam a dark zone at the top, to match in with beams of the existing classic Patt 23s in a rig. For more information click here |
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MA
Lighting grandMA micro With
the grandMA micro, MA Lighting has designed one of the most compact moving
light controllers ever. And it's for more than just entry level applications.
The micro console includes all features of many conventional lighting consoles
making it suitable for small concerts, lighting on tour, effect lighting
for fairs and exhibitions as well as for smaller theatres and TV -studio
use. The grandMA micro offers 1024 individual parameters for smart control
of conventional dimmers, moving lights from the built-in library or self-created
fixtures of any kind. The micro includes all of its components in a compact desktophousing with everything built in; no external power supplies, processor units or monitors are required. The grandMA micro opens up to the world EtherNet communications for the transmission of DMX data and for the use of its free software companion grandMA 3D. It has got an open link to many of the control protocols already in use on the market. MA has designed this new console around the new industrial single PCB computer with a Geode 266 MHz processor chip. This computer has all necessary links to the external world on-board from a mouse and keyboard connection to a auto sensing 10/100 Mbit/s EtherNet port. For operating system, software and showfile archive a 128 MByte CF-flashcard is used. A built in floppy disk drive can be used for external archive options or to upgrade to the latest version of software. www.malighting.com Australian distributor: Show Technology www.showtech.com.au |
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ELC
introduces dmXLAN Node 1The new dmXLAN Node 1 from ELC Lighting is an Ethernet node allowing the conversion to Ethernet (Artnet protocol) of one DMX universe, input or output. For fixed installations, such as theatres or conference centres, the cabinet will be mounted on the wall, with the display in front and the DMX connector pointing downwards, avoiding the risk of connectors and cables getting in the way of feet or flightcases, etc. The Ethernet is connected internally through hardwire connection. In the truss-mount version, an Ethercon connector from Neutrik is placed beside the DMX socket. The cabinet is fitted with a built-in M10 nut on the bottom for a truss clamp and a hole is provided for the safety hook. In both cases, the 5-pin XLR connector can be set up as a DMX input or output. Node1 is powered through the Ethernet cable, as specified by the IEEE 802.3 standard. www.elclighting.com Australian distributors: Show Technology www.showtech.com.au and Clearlight Shows Pty Ltd www.clearlight.com.au |
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Pulsar
Outstation OS1 Pulsar's new Outstation
OS1 is a compact 12 Scene 54 Channel DMX programmable control desk that
is ideal as an architectural controller and as a remote for our ChromaZone.
It is beautifully finished in stainless steel and fitted with chrome push
buttons so it will fit into any decor.The OS1 is ideal for offices, bars, restaurants, foyers in fact anywhere an easy to use and program DMX controller is required. www.pulsarlight.com Australian distributor: Show Technology www.showtech.com.au |
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| Hippotizer
- a digital media server for the live entertainment industry The Hippotizer introduces the next generation of video manipulation and playback allowing for immediate access to a huge pre-loaded library of digital media content. Spectacular effects can then be overlaid onto that content or onto live video. The Hippotizer can be played on-the-fly, pre-programmed or left to run itself and can also be told to work with sound input, creating spectacular effects to the beat. Abstract effects, company logos and promotional material can also be added to the Hippotizer creating endless possibilities.
For further product
information, please contact Clearlight Shows Pty Ltd on Ph: 03 9553 1688 |
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Brown's Precision Welding are proud to announce the launch of a brand new product for 2004, the 500mm Alloy Stacking Truss. Designed to save space and support high loads, the new 500mm Stacking Truss will prove to be a favourite amongst venues, hire companies, production houses - anywhere space or transport costs are an issue! Brown's 500mm Alloy Stacking Truss is 500mm centre to centre on the bottom chords, and only 250mm centre to centre on the top chords. The bottom chords are braced using removable snap-lock bracing bars, allowing truss sections to be stacked one on top of the other, saving huge amounts of truck and storage space. For example, 8 x 3 metre sections of the truss can be stacked on a dolly, with the total height being only 2050mm, and the width approximately 550mm (including dolly). In standard trucks, this would allow 4 dollys to be stored side-by-side, putting 32 sections of 500mm truss into only 3m of truck space! Because it is so easy to transport, Brown's 500mm Alloy Stacking Truss is perfect for small shows, but is also designed with large shows in mind. It can support a massive 6,096 Kilograms point-load over a 3m span, and 7,706 Kilograms uniform distributed load over 3m! That's actually more than the standard 500mm Box Truss! This enormous weight loading allows the Stacking Truss to be used for 18 metre spans while still supporting useful loads. Full engineering specifications are available upon request. Setting up the 500mm Alloy Stacking Truss is a breeze. One person can wheel 8 sections of 3m truss into the venue, thanks to the dolly, saving time and your loader's backs! Once it is in position, the bracing bars (stored in the top of the truss) can be quickly accessed and put into place. At the end of the night, the braces are stored in the top of the truss for transport. The coupler system used to connect the truss makes setting up quick and easy, and no spanners are required. A full range of accessories including corners, gates, bases and dollies are also available. The new 500mm Alloy Stacking Truss from Brown's is a clear winner, providing savings from day one in terms of reduced transport costs, less space dedicated to truss storage, and much less time spent lugging trusses in and out of venues. And with the huge weight loading capacity, longer spans may even reduce your rigging costs! Brown's 500mm Alloy Stacking Truss is in production now, with the first run already sold out. You can see the truss for yourself at Entech 2004 (April 5 - 7th, Sydney Exhibition & Convention Centre), Stand N35. For Availability, Pricing or Further Information, call Balanced Technology on 1300 305 832. www.balancedtech.com.au |
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| grandMA
software 5.01 - New functions & features Parameter Expansion Your grandMA console now supports the control for up to 16384 parameters, each with 8 or 16 bit resolution. As a stand-alone console is still limited to 4096 parameters, the processing of the additional channels and fixtures is done by external Network Signal Processors (NSP). These NSPs provide up to 2048 parameters each and have four DMX output lines. For a full featured grandMA installation with all 16384 parameters in 16 bit a total of 64 DMX universes can be provided. This would require 16 NSPs which will do the processing of these parameters as well as the DMX output. grandMA onPC In addition to the well known grandMA offline-editor the new grandMA onPC software to be used on desktop PCs or notebook computers has been developed. grandMA onPC is optimized for fastest handling, direct access to all grandMA functions and optimal use of touchscreen based Tablet PCs . Together with one or two Network Signal Processors it controls up to 4096 parameters live and without a "real" console. grandMA onPC as well as grandMA offline-editor may now be used as an ideal backup-system for smaller installations or a fully PC-based show controller. Layout View Any number of channels or fixtures may now be arranged on screen in the new matrix-style Layout View. Up to 64 views with variable fixture arrangements are available each showing intensity and colour of the related fixtures. The layout view is ideal for direct and fast selection in squares, lines or freehand shapes. The layout view may also show real output values. Bitmap Engine With the new bitmap engine any black and white or coloured bitmap file may now be imported into the grandMA and displayed as dimmer or colour mixing values on a selected number of fixtures. These effects allow scaling, positioning, rotation and tiling of the imported image and are directly linked to one of the layout views. Text entries may directly be converted into bitmaps within the console and stored on a bitmap effect. Bitmap effects are ideal for LED fixtures or larger arrays of lamps or fixtures. Instead of colour and intensity any other parameters of these fixtures might be controlled by any two selected presets linked to dark and light values of the loaded bitmap image. This is a unique effect which helps to created movements of any parameter linked to actual bitmaps which were never seen on stage before. FTP File Server The completely new organized backup menu now offers a FTP File Server as archive target option as well. Single show files or the complete content of the console's local hard disk may now be copied to a remote PC server in one go. This server can be shared by other consoles or offline/onPC applications. The quick backup or auto save function may be diverted to the file server as well. Partial Show Read For merging single shows into one or loading parts of existing other shows into the actual one the new Partial Show Read command was introduced. Partial show read creates a new show setup by merging a number of selected channels or fixtures from a source showfile and then loading selected groups, cues, presets, effects and many more show related items. Shows may now be stored on different stand-alone console to be merged to one global show afterwards for playback. Modulator Effects The existing effects system has been expanded by the new Modulator Effects which are based on single channels' or fixtures' parameters. Modulators are stored and edited just like values in the channel, fixture and tracking sheet and can be stored in cues. Running modulator effects can now be changed or edited on a channel, fixture or parameter base easily without the need to start or stop the complete effect. The existing effects from former shows are still available and might be converted into modulators by "TOP EFFECT xy <ENTER<" if desired. The existing link from cues directly to the "old" effects is no longer available. New Tracking-Sheet Options The tracking sheet now features a Layer Control just like all other sheets displaying channel or fixture information. With the new Selection Filter the displayed channels, fixtures and cues may also be filtered by the actual selection to display only changed and blocked values. Independent users for PDA Remotes Each of the six pocket PC remotes per console may now have its own independent command line and fixture selection if different user names and profiles are defined for each unit. New IF_OUTPUT Command The IF_OUTPUT command has been improved by the possibility to select on values with output above zero, at a specific value or a given range of output dimmer values. Info Window and Command With the new Info window and Info command custom text entries for Cues, executors, groups, sequences are available. Chaser Buffer The Chaser Buffer allows overlapping fades from one step of a chaser to another to create special effects and fades more easily. Direct MIDI Commands Any MIDI command like Note ON/OFF, Control Change and Program Change may now be directly send using the command line. These commands may also be stored into macros or be directly linked to cues. Update Improvements Using the Update function instead of the "store merge" command for cues on active executors now follows the actual setting of the executor's master fader. The balance of a cue may so be altered without recording the absolute values as given by wheel or keypad. Remote Software Updates The Remote Software Update via the network for consoles has be improved by including all Network Signal Processors as well. Also the grandMA offline and onPC now offer this feature and may therefore be used for updating consoles and NSPs directly without the need of installation disks. Australian distributor: Show Technology www.showtech.com.au |
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Philips
fluid lenses bring things into focus This
piece from Philips is about a new lens design that will definitely change
the world of camera optics and probably have a major impact on moving light
design: At this years CeBIT Exhibition in Hannover Germany, Philips Research is demonstrating a unique variable-focus lens system that has no mechanical moving parts. Suited to a wide range of optical imaging applications, including such things as digital cameras, camera phones, endoscopes, home security systems and optical storage drives, Philips FluidFocus system mimics the action of the human eye using a fluid lens that alters its focal length by changing its shape. The new lens, which lends itself to high volume manufacturing, overcomes the fixed-focus disadvantages of many of todays low-cost imaging systems. The Philips FluidFocus lens consists of two immiscible (non-mixing) fluids of different refractive index (optical properties), one an electrically conducting aqueous solution and the other an electrically non-conducting oil, contained in a short tube with transparent end caps. The internal surfaces of the tube wall and one of its end caps are coated with a hydrophobic (water-repellent) coating that causes the aqueous solution to form itself into a hemispherical mass at the opposite end of the tube, where it acts as a spherically curved lens. The shape of the lens is adjusted by applying an electric field across the hydrophobic coating such that it becomes less hydrophobic a process called electrowetting that results from an electrically induced change in surface-tension. As a result of this change in surface-tension the aqueous solution begins to wet the sidewalls of the tube, altering the radius of curvature of the meniscus between the two fluids and hence the focal length of the lens. By increasing the applied electric field the surface of the initially convex lens can be made completely flat (no lens effect) or even concave. As a result it is possible to implement lenses that transition smoothly from being convergent to divergent and back again. In
the FluidFocus technology demonstrator being exhibited by Philips Research
at CeBIT 2004, the fluid lens measures a mere 3 mm in diameter by 2.2 mm
in length, making it easy to incorporate into miniature optical pathways.
The focal range provided by the demonstrator extends from 5 cm to infinity
and it is extremely fast: switching over the full focal range is obtained
in less than 10 ms. Controlled by a dc voltage and presenting a capacitive
load, the lens consumes virtually zero power, which for battery powered
portable applications gives it a real advantage. The durability of the lens
is also very high, Philips having already tested the lens with over 1 million
focusing operations without loss of optical performance. It also has the
potential to be both shock resistant and capable of operating over a wide
temperature range, suiting it for mobile applications. Its construction
is regarded as compatible with high-volume manufacturing techniques. The diagram (right): (A) Schematic cross section of the FluidFocus lens principle. (B) When a voltage is applied, charges accumulate in the glass wall electrode and opposite charges collect near the solid/liquid interface in the conducting liquid. The resulting electrostatic force lowers the solid/liquid interfacial tension and with that the contact angle and hence the focal distance of the lens. (C) to (E) Shapes of a 6-mm diameter lens taken at different applied voltages. Photo: Researchers show the miniature variable lens and the camera that contains the lens. www.research.philips.com |
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The Pixelpar 90 Architectural is a fixture with 90 Luxeon 1 watt emitters. Robust machined and spun aluminium construction, protective polycarbonate front cover, heavy duty hanging yoke and rated IP40, IP65 and IP68 versions are available. Pixelpar 90 L - This LED fixture is designed for indoor applications and is fitted with a user interface on the back of the unit allowing all of the functionality required for most applications. It can be set up to operate in DMX mode, manual more or in any of the internally programmed sequences. The fixture is rated at IP40 for internal use. Pixelpar 90 LP - The LED fixture is designed for exterior use in damp locations out of the public domain. The unit has plastic conduit outlet allowing the installer to feed power and signal into the unit. The user interface is fitted behind a machined aluminium closing plate. The functionality is the same as the "L" version. The fixture is rated at IP65 for damp locations. Pixelpar 90 LR - This fixture is designed for wet locations and features a remote power and control unit which can be situated up to 15 metres from the head. The functionality is the same as the "L" version. The fixture is rated at IP68 for wet locations. www.pixelpar.com Australian Distributor: Clearlight www.clearlight.com.au |
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| FX
Range's improved Clubyoke This most popular 150w discharge yoke has been upgraded with the addition of replaceable rotating gobos adding another dimension to the effects achievable with this unit. Same price as the previous version - you now get more for your money. Call Coemar De Sisti Australia now for more information on 03 9467 8666. www.cdaust.com.au |
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FX
Range's new LED Colour Changing RangeTracPod - a strip of LED fixtures in a single housing, with all the advantages of LED lamp technology. Virtually any colour in achievable with this unit using no moving parts and at an affordable price! Chase, strobe and mix colours in either DMX, stand-alone or sound to light mode. OctaPod - a complete system of 8 LED spots and the associated power pack / controller. The fixtures can be individually positioned and controlled from a single source. The System can operate in DMX, stand-alone, or in sound to light mode. Make your lighting a talking point of the show with any of these LED products! Chameleon - a new colour changing down light perfect for creating the essential mood for your club of venue. With power supply driver, it can be controlled via DMX input from any DMX controller or the LCD controller itself. This is the inexpensive option that so many of you have asked us to provide! Call Coemar De Sisti Australia now for more information on 03 9467 8666. www.cdaust.com.au |
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Hot
New Effect Units Added To CDA's FX Range |
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FX
Range's new LED effects rangeAquaDot - the first in a range of LED powered effects designed exclusively for small clubs and DJ's. This effect produces the popular ripple water-type effect. The LED source eliminates the need for lamp changes, offering in excess of 50,000 hours running time, and does not produce any heat. Already used extensively in the professional lighting market, LEDs are the way of the future. ZagDot - Another LED powered-effect, this unit produces a darting beam of light that moves constantly across a pyramid of mirrors. Features a built-in microphone for sound to light beam and pattern movement. MoonDot - With LED power to spare, this fixture creates an RGB effect and features a built-in microphone for sound to light beam and pattern movement. Call Coemar De Sisti Australia now for more information on 03 9467 8666. www.cdaust.com.au |
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| VLPS
to preview EX1 Early next month, VLPS Lighting Services will introduce the Virtuoso EX1 media server. By using a moving perspective camera and five-point lighting in a virtual 3D environment, the EX1 will allow digital lighting to take on a whole new dynamic, say the company. The EX1 employs five independent light sources (an ambient light source and four directional lights) to model objects in a three-dimensional environment. Another innovative feature of the EX1 is the positional camera. This moving perspective feature has the ability to dolly in and out, and orbit on the x, y, and z axis. This allows the camera or viewer's perspective to 'fly through' anywhere in the 3D environment, including going inside any of the 3D objects. The camera also has a 'field of view' feature that allows for imaginative forced perspectives on any object or layer. The 3D virtual environment includes up to two separate backgrounds, which can be scaled, textured and rotated. The EX1 also allows up to three interactive geometric objects, which can be coloured, rotated, scaled, and mapped with textures, static images, or movie files in a 3D environment. The creation of "virtual scenery" is completed with the positional camera and the five light sources which can be directional, ambient, coloured, and intensified to provide realistic environmental lighting. Whether you're using imported custom content or the extensive media library provided on the EX1, the media server can store up to 65K digital files, such as 3D objects, textures, still images and movie clips. The EX1 also offers infinite possibilities with its unprecedented ability to render backgrounds, 3D objects, light sources and camera positions in real-time. All EX1 systems include the following components housed in a convenient rack mount unit: Ethernet Switch - allows networking servers using gigabit ethernet to transfer files. Virtuoso Node - allows distribution of Virtuoso protocol to additional DMX 512 devices. EX1 DMX Interface Unit - control input from any DMX512 control device. EX1 Video Interface Unit - convenient distribution of video signals to local monitor, VGA and RGB-HV output. 2 Video Distribution Amp - splits one video signal into four identical outputs. 2 Media Servers - store and process digital media content; starter media library. 2- 15" flat-screen LCD display monitors. UPS-Uninterruptible Power Supply filters to provide emergency AC power. The EX1 can be controlled via any DMX console. For ultimate programming and control versatility, VLPS has upgraded its Virtuoso DX2 control desk, which now includes eight integrated DMX universes and supports over 600 universes with the addition of the Virtuoso Nodes. DX2's unique media window also allows for instant accessing, previewing, and graphical control of the large number of media files required for digital lighting. The system also includes a fully integrated 3D programming environment which provides real-time status display, and includes an off-line editing program that allows for pre-programming and touch-up of all show data. www.vlps.com |
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|
Show
Technology appointed Australian distributor of Osram Hilite LED tubes
in the Entertainment Industry |
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FX
Range new 100w & 300w Multi-Par UnitsMultipar 100w and Multipar 300w - similar to our very popular 575w units, these two fixtures are available in both black and polished finishes and are supplied with a set of 4 lenses as standard and have available a 4-leaf barn door as an optional accessory. These units are extremely versatile and are the perfect choice for small bands, video and digital photography where the flexibility of the lens system and their low power consumption make them ideal. Call Coemar De Sisti Australia now for more information on 03 9467 8666. www.cdaust.com.au |
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Robe
launches 'Cyber Control' softwareCyber Control is a new DMX lighting software launched by moving light manufacturer Robe Show Lighting. It is designed for users preferring to use a computer rather than a conventional lighting console for show and exhibition build-up/programming periods. It is extremely quick, easy and logical to learn, and creates a perfect visualization of all types of lighting fixtures (including conventionals like Pars, ACLs, profiles, Molefays, etc) and all parameters of intelligent lights. The end result is a sophisticated 3D visualization of the show, including real-time beam, gobo and iris simulations. The PC-based software includes a large fixture library of the most popular and commonly found moving lights. Cyber Control comes in three versions - Cyber Cue, Cyber Pro and Visual Control. CyberCue and CyberPro enable a show to be created on computer and run directly from a PC using a USB interface - a hardware tool supplied with the software. Once the show is completed, the data can be uploaded into the USB Interface, the PC can be disconnected, and the show actually run from the Interface - thanks to 'Stand Alone' mode. CyberPro contains the multimedia extension Easy Show, allowing users to add multimedia music and image files (e.g. WAV, MP3, CD, AVI, MPEG, etc) into their onscreen show. Harnessing the power and potential of the 3D visualizer, the simulations will playback with these multimedia files when using CyberPro. A special version of the software - Visual Control - enables the "downloading" of show data from a lighting desk to a computer for offline editing. www.robe.cz Australian Distributor: ULA www.ula.com.au |
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New
Diablo ConsoleZero 88 will be launching their latest lighting console, the Diablo, at the forthcoming SIB show in Rimini. T he Diablo is a new, cost effective and flexible lighting controller suitable for controlling moving lights and generics. It is one of the easiest lighting controllers to program and operate and is aimed at users wanting a small, powerful console. Unlike many small controllers it is not simply for club or DJ use. The Diablo can be used in a range of venues from small theatres, to schools, TV or clubs. During the ongoing development of the Frog range we had lots of feedback from users wanting the intuitive philosophy and ease of use of the Frogs, but in a simpler and smaller package, explains Graham Eales. The Diablo is a powerful little desk, which will bring sophisticated moving light control to a host of smaller venues. An LCD screen is at the heart of the Diablo. Using soft keys navigating the various operating modes is simple and intuitive, whether you are setting the desk up, assigning fixtures, patching or playing back shows. To aid in programming the Diablo comes with an effects engine that allows for shape generation and colour and beam effects. The Diablo provides the facility to control up to 18 moving lights as well as 18 generic channels. The Diablo has a comprehensive library of fixture personalities that can be loaded to the console from a PC using a a USB port. It is also possible to write fixture types directly to the console. Up to 18 different fixture personalities can be stored on the Diablo at any one time. Regular updates to this library will be downloadable from the Zero 88 website. Key features include; · Built in Effects Engine · 12 playback stacks each with 250 steps · 108 submasters · Control of 18 Generic channels · Control of up to 18 Fixtures · 4 DMX Auxiliary Keys · Page Chase / Ripple Functions · Fixture Library www.zero88.com Australian Distributor: Clearlight www.clearlight.com.au |
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| Compact
Flash support for DMXStreamer Enttec have just released the compact flash module for their DMXStreamer. This module is an add-on to the DMXStreamer that enables the use of standard Compact Flash cards of to 2Gbytes to store shows and play list information. As an indication, 2Gbytes guarantees a minimum of 30 hours of continuous recording of 512 channels of DMX at the maximum frame rate of 44 frames / second. The data is stored in standard PC format and can be easily transfered for backup or onto other units. The module is supplied with a 64Mbyte card and must be ordered at the same time as the DMXStreamer www.enttec.com |
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City
Theatrical's WDS Personal DimmerCity Theatrical has added a new product to its award-winning WDS Wireless Dimming System - the WDS Personal Dimmer. This small (3.25" x 4.25" x 7/8" deep), wearable device combines a wireless DMX receiver with a five-ampere battery-operated dimmer allowing costumes, scenery and props to be electrified and controlled by any DMX lighting console. For the first time, designers will be able to incorporate complex electrical effects into stage elements and integrate them into the overall stage lighting by using wireless control and battery-operated dimming, says CTI's president, Gary Fails: "This product combines lighting and costumes and will find wide use in theme parks, Las Vegas shows, parades, and other venues where creative designers want to produce totally new lighting and costume effects. CTI has developed new technology that is truly unique and innovative." The WDS Personal Dimmer is compatible with the entire WDS range of wireless transmitters, receivers, and dimmers. City Theatrical WDS Wireless Dimming System installations are in use on a growing number of Broadway shows and national tours, including Fiddler on the Roof, Hairspray, Movin' Out, Lion King, Taboo, Never Gonna Dance and Bombay Dreams. The WDS Personal Dimmer is available now through City Theatrical dealers around the world. www.citytheatrical.com |
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Stardraw.com
launches their new software program - Stardraw AV LiteStardraw CEO David Snipp explains why the company felt it important to launch a product for this market sector. "Stardraw A/V is undoubtedly the most popular off-the-shelf product we do," he said. "However, at $6,294.00, it represents a significant investment which may be beyond the reach of the smaller contractor. What we have done with Stardraw A/V Lite is to produce an entry-level package that allows you to create your designs to exactly the same standard as the full version, which means an unbeatable feature set at unbeatable value for money. The drawing engine and the symbols in the Lite package are the same as those in the full package but the ancillary functionality is tailored for the smaller organisation. In this way, individual contractors and smaller systems integrators can benefit from all the same sophisticated design and drawing tools in addition to the vast library of high quality symbols for less than one third of the price - $2,098.00!" Stardraw A/V Lite allows you to design schematics, rack layouts and sales presentations. Furthermore, users with a current subscription are entitled to free symbols updates, free program upgrades and free priority technical support. According to Stardraw marketing director Rob Robinson, Stardraw A/V Lite represents superb value for the smaller contractor. "The fact that you can produce exactly the same drawings and designs as the full application is fantastic. The full version, of course has even more tools which allow you to manipulate data in a variety of ways plus a number of other functions. In the meantime, however, until you are ready to take the next step up to our flagship application, Stardraw A/V Lite is an extremely powerful drawing and design tool, unequalled by anything else the market currently has to offer." For more information on Stardraw A/V Lite, please contact CDA on 03 9467 8666 www.stardraw.com Australian Distributor: Coemar De Sisti Australia www.cdaust.com.au |
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| Avolites'
new eDMX wireless control Avolites is highlighting new technology with its just-launched eDMX wireless control solution, making its European trade show debut this spring. The eDMX system transfers DMX data across a Wi-Fi radio link - completely removing the need for DMX data cables. eDMX units are easily addressed and user configured, either as transmitters or receivers, allowing the fast set up of Point-to-Point, Point-to-Multipoint or Multipoint-to-Multipoint DMX data transmission systems. Each transmit/receive pair of eDMX units relays data for one DMX universe at full speed, with ranges of up to 1km. eDMX units can be used as a free-standing device to receive data from front-of-house consoles, thus feeding all the data into an existing wired splitter, or it can be attached directly to an intelligent lighting fixture or a chain of fixtures. The deployment of eDMX is totally user definable - one per light, one per pipe or truss, or just one to overcome the front of house data leap. eDMX is compact enough to be housed within a moving light fixture, removing the necessity for any data cable. Once an 802.11 (Wi-Fi) network is set up, eDMX will automatically locate its data. eDMX works across multiple networks - each eDMX contains its own unique addressing protocol and each unit can be set to receive data from a different universe for multiple universe situations. Each eDMX unit can act as a pre-patch unit, saving users from having to re-address the moving light in situ. eDMX also has a complete inbuilt Web Server that can be used to view its signal-to-noise ratio, or to provide manufacturer-specific data from the lamp head across an intranet. The eDMX System was recently used to send wireless DMX to each individual pod of the London Eye for the capital's high-profile All Eyes on London New Years Eve 2003/04 celebrations, where it was used by LD Gary Collins to stream 33 strings of DMX between the Wholehog lighting controller and lighting fixtures located in each of the London Eye's 32 capsules and around its pontoon base. It was also used by Pulsar to send data to LED Batons around the hotel at the recent Total Production International Awards dinner. Avo's Steve Warren says: "There's been huge interest in wireless DMX systems from rental companies, theme parks, events companies and theatrical productions. eDMX allows us to send lighting data to anything, anywhere, from carnival floats to moving stage sets or to the top of buildings and monuments!" www.avolites.com Australian Distributor: ULA www.ula.com.au |
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| Equipment
News December 2003 - February 2004 Equipment News November 2003 - December 2003 Equipment News August - November 2003 Equipment News July - August 2003 Equipment News April - June 2003 Equipment News January - March 2003 Equipment News October - December 2002 Equipment News August - September 2002 Equipment News May - July 2002 Equipment News January - April 2002 Equipment News September - December 2001 Equipment News August - September 2001 |
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