Cyclo
04 DMX WallwasherThe Cyclo 04 DMX Wallwasher is a recessed fluorescent wallwasher with RGB color mixing which generates both white and colored light. Suited to a wide range of retail applications, it also provides an interesting solution for the office environment.
DMX controllable, the Cyclo 04 DMX Wallwasher feature extended color control and excellent white and colored light quality and represents a breakthrough for its ability to successfully compress color-changing technology into an architectural fitting, say the company. A full range of white and colored light is achieved by combining four dimmable T5 fluorescent lamps, the primary colors red, green and blue in a process known as additive color mixing, and an additional neutral white tube of 4000K. When installed at a setback of 1/3 the height of the wall, colored light is distributed extremely evenly and smoothly. Colour distribution is achieved by a combination of optical technology and reflectors with Lambertian characteristics. Because light strikes at the very top of the wall, wall coverage is total, eliminating the upper dark zone commonly associated with wallwashers. Moreover, the design of the metallic reflector ensures that colored light is first seen when it strikes the projection surface.
The Cyclo O4 DMX Wallwasher can either be controlled by an external DMX controller, or with its own built-in programming capability that allows for pre-set color sequences. DMX addresses and pre-set programs are selected via an on-board DIP switch. It is possible to link multiple Cyclos together in synchronized master/slave operation.
Applications include white and color washing of walls and ceilings for retail, restaurants, hotels and other commercial applications, as well as programmable color changes and fluctuating daylight effects for conference rooms, recreation spaces, and multi-functional areas.
www.martin-architectural.com
Australian distributor: Show Technology www.showtech.com.au
Robe
launches ColorWash 1200E ATThe latest addition to Robe Show Lighting's moving head range is now in full production.
Features of the new ColorWash 1200E AT include a CMY colour mixing system, variable CTO, two colour wheels and a combined dimmer/shutter. The 1200E AT zoom has a range of 10 - 87° depending on the lens type used. The electronic ballast enables features like flicker-free operation, extended lamp life and power-saving mode.
The ColorWash 1200E AT is suitable for a wide range of applications including theatre, tv and live production, together with all types of installations, from multi-purpose venues to large clubs. Low noise output also makes it suitable for studio use.
www.robe.cz
Australian Distributor: ULA www.ula.com.au
A
unique new tool for the lighting designer
The
latest addition to Selecon's world leading range of profiles - the 45-75
Pacific Zoom delivers angles from a profile in a precise well controlled
beam that have never been available before.
Until now angles much beyond 50 degrees have not been available from a
profile, other than of course, Selecon's Pacific 90 degree fixed beam
spot.
Now, with the versatility of the Pacific zoom system you can choose your
required angle from 45 to 75 degrees for precise area illumination or
pattern projection. From a throw of six metres the Pacific 45-75 delivers
a beam adjustable from 5m to 9m in diameter.
The Pacific 45-75 zoomspot opens up a whole new world of creative possibilities
in both entertainment and architectural lighting whether for full body
shots from close in side stage positions or for texturing the complete
set using only a few luminaires.
Lighting designers around the world have trialed the 45-75 over recent
months. The feedback has been so positive that Selecon brought forward
the release date to ensure they could access units for their upcoming
productions.
White Light, the U.K.'s premier West End rental company have purchased
Pacific 45-75 luminaires to meet the growing demand from U.K. lighting
designers for the Pacific range. The 45-75s will complement their existing
Pacific inventory which includes 80V Power Systems.
The Pacific 45-75 lens tube can be used with any Pacific light source,
including mains voltage tungsten halogen (600W - 1000W); 80V 1200W; 575W
MSR and 70/150W CDM.
The Pacific Zoom 45 - 75 is available to try out in your theatre now.
www.seleconlight.com
Available from a network
of dealers throughout Australasia
Photoflex
debuts OctoDome nxtTM softbox
OctoDome
nxtTM has been introduced by Photoflex Inc. as the next generation
of its popular OctoDome softbox, created for photographers and videographers
who want the advantages of a continuous light source with a soft, wraparound
light, President Sharon Reeves announced today.
"Our new softbox combines the best features of Photoflex's OctoDome
3TM designed for strobe lighting, and our SilverDome nxtTM
softboxes with highly reflective, silver interiors used predominantly
as lighting for digital photography and video production," Reeves
states.
"OctoDome nxt has been engineered as a versatile, cost-effective lighting
system for traditional and digital photography as well as digital video.
Its superior quality and durability make the OctoDome nxt a much better
value than cheap, low-quality products."
The OctoDome nxt is 3 feet (91 cm) in diameter, and its eight-paneled,
silver interior and narrow profile make possible a wide range of lighting
effects. Photoflex's Starlite 3200TM provides 3200-degrees
Kelvin of even, brilliant, and continuous tungsten lighting, with an innovative
cooling design ideal for heat-sensitive subjects that would be impacted
negatively by traditional hot lights.
The softbox's rear-mounted light generates much more light output than
a standard reflective umbrella. The entire range of Photoflex's OctoConnectorsTM
can be used, even HMI lights for constant lighting at daylight temperatures.
A removable, recessed front diffusion panel allows the use of grids, and
lets users switch easily from high- to low-contrast lighting. The removable
interior baffle eliminates hotspots, while a removable rear cowling allows
air flow for additional cooling of the softbox interior. Sturdy, all-steel
suspension rods feature aluminum bullet tips at both ends.
OctoDome nxt's proprietary BrimstoneT black exterior features a thick,
light-tight fabric that's heat-resistant and extremely durable. Its shallow
profile allows users to work comfortably even in tight spaces, and it
sets up and tears down quickly for both studio and on-location use.
The softbox also comes with an instructional CD with assembly information
and lessons that use photo-by-photo setups to help users maximize the
product's capabilities and take better photos right away.
www.photoflex.com
Australian distributors Borge
Anderson & Associates, Port Melborne and Lemac
Film & Video in Richmond, Victoria.
Advanced
features bring digital lighting creativity to a whole new levelMartin Professional invites you to experience a new level of digital lighting creativity with the new Maxedia Digital Media Composer. Maxedia is Martin's new media server capable of handling a multitude of digital media; images, video, 3D graphics, and more. Output as a video signal to video/plasma screens or any type of video image projector, Maxedia boasts a number of advantages over other digital media servers.
Housing an extensive media library for convenient access to creative special effects, Maxedia incorporates 3D effects and mapping (bitmap or video), real-time layer manipulation, and various playback and real-time transition effects. Maxedia, which includes integrated DMX control, provides full control of both lighting and video elements.
The Maxedia advantage
1. Maxedia runs up to a maximum of 20 layers simultaneously, depending on the type of layer.
2. Maxedia offers 3D effects with unique real-time manipulation features.
3. Programming is done on the Maxedia system itself, making it much easier to program than by using DMX alone. Playback is then completed via DMX for maximum ease of use.
4. If desired, programming and playback can be done without the use of a DMX lighting console. This is ideal for situations such as exhibition stands or smaller corporate events where Maxedia can run completely independently without the need for other control equipment on site.
5. Maxedia uses no more than 25 DMX channels; competitor systems can use more than 120 channels.
And if these don't convince users, a price comparison should.
Real time manipulation
Typically, video/image content is first prepared off-site, then loaded into a media server for manipulation and final playback. Maxedia, however, makes it simple to adjust looks on the fly, without the need for off site re-editing. Real-time changes appear instantly with no delays. In fact, Maxedia is the media server system with the most real time manipulation features on the market.
Effects such as ocean scenes for example can be manipulated various ways - intensity of wave, waveform change from peak to smooth, etc. - all edited on the Maxedia in real time, producing effects ranging from a quiet smooth stretch of water to a thundery storm. Effects are then saved as a preset cue, ready for immediate playback.
Full lighting and video control
A media server with DMX control such as Maxedia gives the lighting designer full control of both the lighting and video elements of a show. Because digital imagery is a visual element to be coupled with lighting, with Maxedia video and lighting content work together rather than against each other. The ability to control video via the lighting desk is essential for control and timing considerations. Maxedia therefore eliminates the need for a dedicated video designer and operator.
Additional Maxedia news including specifications, a Media Exchange Library, and more can be viewed on Maxedia's own website at www.maxedia.com
www.martin.com
Australian distributor: Show Technology www.showtech.com.au
Playback
Wing expands professional lighting console's functionality, flexibilityMartin Professional has made available the first module in a new Wing System for its popular Maxxyz lighting control desk that expands the console's functionality and gives users the ability to customize and add more direct access.
An adaptable Playback Wing, the first of several Wing Modules to be made available, expands the direct playback access of Maxxyz by three times and allows the Maxxyz operator to navigate through a show with even greater speed.
Increased functionality
The Playback Wing consists of two Playback Modules in one frame, adding 20 motorized faders with 20 customizable LCD buttons and extending the playback capabilities of Maxxyz. The Playback Wing also includes 10 additional LCD buttons, also customizable for easy navigation, plus 40 conventional buttons - more advanced features than competitive equivalents.
Flexible, modular design
The Wing System's modular design is freely configurable, allowing the possibility to create a Wing by incorporating any two modules. As further Wing options become available, it will be possible to combine different modules - thereby customizing it for a specific application. Modules are easily attachable, making it fast to re-configure a wing to suit one's needs. The frame can be used with a single Wing module if desired.
Maxxyz console and Maxxyz PC functionality
Wing modules are robust and easily connected directly to the Maxxyz console's rear panel, or to a USB port on a laptop/desktop computer and used in conjunction with the Maxxyz PC, which will be released towards the end of 2004.
The Maxxyz Wing System follows the same contours as Maxxyz itself and can be placed on the left or right side of the main console, depending on the user's preference. Multiple Wings can be placed on both sides of the main console if desired to give the ultimate customized solution. Use of multiple Wings for further functionality is simple.
www.martin.com
Australian distributor: Show Technology www.showtech.com.au
Dynamic
uplight illumination in a durable, easy-to-install inground luminaire, offering
the benefits of dynamic light and discrete buried installation, seamlessly
combined in a simple, easy-to-use system of programmable luminaires.The Exterior Inground 200 Series is a durable range of IP 65/67 rated inground luminaires that represents a breakthrough for its ability to integrate color-changing technology into a standard uplight luminaire. Designed for all terrains and weather, the Inground 200 offers high-performance tools for dynamic uplight illumination of facades, columns, structures, trees and landscapes.
Three Color Systems
The series offers three different color systems for applications of varying complexity.
1. Single Color:
Designed as a simple means to creating colorful lighting schemes, the single color system lets you choose any color from our collection of forty dichroic filters. Custom colors are also available. The single-color system also provides manual intensity control for fine-tuned illumination.
2. Six Colors:
The 6-color system is a programmable color-changing system for dynamic lighting applications. It offers a selectable palette of up to six colors. Choose a ready-made color scheme or create your own. The 6-color system provides a programmable dimmer for true 0-100% intensity control.
3. Full Spectrum CMY:
The most advanced and versatile solution, the CMY color system blends the primary colors Cyan, Magenta and Yellow to create a virtually limitless choice. For a beautiful effect, these colors can be programmed to shift smoothly from one shade to another. The CMY system also provides a programmable dimmer for true 0-100% intensity control.
Optical Systems
Four
different lens systems are available for a variety of beam angle options,
medium (32°), wide (56°), very wide (98°), and wallwash. The
series includes a patent-pending wallwash optical system with glass reflector
and long life CDM 150W discharge lamp. An OptiWhite glass front ensures
a high transmission, purer white light and true color projection with no
color shift. The system guarantees even, broad illumination of walls and
surfaces with uniform light distribution starting at ground level.Easy Aiming
An adjustable lamp frame allows for 360-degree rotation and +/- 15-degree tilt. This compensates for variations in terrain and allows for precise optical aiming. A locking mechanism secures the designer's aiming position even after lamp replacement.
Durability
Manufactured from marine-grade steel and clear tempered glass, the Inground 200 is designed to withstand loads of 5 metric tons. For drive-over applications, the luminaire can also be sleeve mounted and installed in concrete. Special attention has been paid to ensure easy installation.
Designed to the highest quality, all Inground products are weatherproofed to withstand constant exposure to rain, heat and frost. An IP 65/67 rating guarantees safe and reliable operation in all types of weather. Separate compartments for electrical gear, PCB and junction box reduce heat to extend component life. Double glass protection reduces the surface temperature, allowing for safe installation in applications near pedestrians or delicate planting.
Programmability
Depending on the complexity required, Inground luminaires can either be operated by PC software, or without the aid of an external controller, via a built-in program or master/slave relationship.
www.martin.com
Australian distributor: Show Technology www.showtech.com.au
ColourStyle Tubes - new to Coemar De Sisti Australia’s FX Range
ColourStyle
Tubes are a revolutionary new illumination system utilizing long-life LED
technology. Installed in waterproof acrylic tubes, is able to create a range
of illumination effects, from simple static colour applications, right up
to the most complex matrix displays. Individual tubes can themselves display
a range of colours. The fixtures are suitable for use in a variety of applications,
including outdoor architectural lighting, display and point-of-sale illumination,
clubs and bars interiors and exteriors, stage and TV sets etc. Features
include: Australian Distributor: Coemar De Sisti www.cdaust.com.au
Lighthouse
Technologies of the US has announced the availability of Supervisor LH,
a state-of-the-art display optimizer specifically designed to convert a
wide range of input formats into resizable content to fit any shape of LED
video display.The first product of its kind to be offered in the LED display market, the Supervisor LH accepts both digital and analogue formats, including standard and high-definition television and computer graphics, to create digital content for LED display screens and panels. Ideal for rental, staging and fixed installations, the Supervisor LH features an intuitive user interface, illuminated display and front panel, easy access to connectors, convenient carrying handles and rear connector protection and a lightweight aluminum chassis.
"As the content platforms and technology evolves, Lighthouse has taken steps to offer a solution that would simplify the process of inputting content onto our displays," said Lighthouse managing director Mark Chan. "With the Supervisor LH, AV technicians can now use all known formats - analog, digital, PC, SD and HD - and easily convert the images onto Lighthouse screens and panels."
In addition to enabling a vast range of sources, from common, conventional video to high-end formats, the high-performance optimizer uses a custom three-dimensional interpolating filter for maximum picture quality in all modes. Advanced video and 2:2/3:2 film processing will extract the best from all material, and computer graphics sources are scaled using broadcast-derived RGB 4:4:4 signal processing.
www.lighthouse-tech.com
Color
Kinetics introduces iCOLOR MR g2
Color
Kinetics Incorporated (CKI), the US manufacturer of solid-state lighting
systems, today introduced iColor MR g2 - an intelligent, colour-changing
lamp that applies the latest high-power LEDs to generate saturated bursts
of colour from most standard MR16 fixtures and sockets. A higher intensity
evolution of Color Kinetics' iColor MR, the compact lamp facilitates both
new and retrofit installations - bringing the benefits of solid-state
light sources to existing installations.
iColor MR g2 is
well suited for wide-ranging applications that call for highly efficient
light sources that can generate saturated colour and customizable effects,
including architectural, display and retail environments where MR16 fixtures
and track lighting are commonly used. With its higher output and wider
beam distribution, iColor MR g2 extends the design possibilities of its
predecessor from direct-view points of light to special accents for custom-designed
MR16 fixtures. Its standard MR16 bi-pin connectors, sleek housing and
matt chrome finish make it easily adaptable to a wide variety of traditional
lighting schemes where LEDs may not have been previously used, say CKI.
iColor MR g2 is controlled by Color Kinetics' complete line of controllers,
including the Ethernet-based Light System Manager, and third-party DMX
controllers. It is supported by PDS-70mr - a new integrated power/data
supply designed specifically for use with this lamp. PDS-70mr applies
Color Kinetics' patented Smartjuice technology to multiplex power and
data over a 2-wire circuit. The compact, IP66-rated device supports DMX
or Ethernet controls, as well as pre-programmed effects. One PDS-70mr
powers up to 14 iColor MR g2 lamps. For large-scale installations, PDS-70mr
used in conjunction with Light System Manager can minimize complexities
by automatically discovering and addressing many lights in a network.
www.colorkinetics.com
Major
Source Four CDMMajor has developed the Source Four as CDM version, in cooperation with ETC. Major's Source Four PAR CDM combines the compact dimensions, versatility and performance of the Source Four PAR with the well-known discharge lamp technology. The result, say the company, is a spotlight with an extremely high lifetime (more than 9,000 hours), but a low energy consumption and a solid colour temperature (3,000 or 4,200°K).
The fixture will be mainly used in retail, exhibition and conference environments. An MCM (metal cold mirror) version boasts heat emission to the back of the fixture of approximately 90%, making the fixture suitable also for more sensitive environments such as art exhibitions, etc. With interchangeable front lenses and different colour filters, the possibilities for use are almost endless, say Major.
www.major-lighting.de
ETC has announced the release of version 1.8.0 software for its Emphasis lighting control system. The release is part of the ETCNet2 Version 4 Suite, compatible and interoperable with other Net2 products. Emphasis v1.8.0 includes many new features, including added support for moving lights like ETC's Source Four Revolution.
This release boasts Dynamic Effects, allowing the user to quickly create complex effects such as ballyhoos, figure eights, colour and iris chases for moving lights, using a combination of fixture lists, dynamic templates and editable parameters. The new Source Four Revolution library files and dedicated encoder setup option will make Revolution set-up even easier, say ETC.
The new Emphasis Offline Editor (EOE) v.1.8.0 runs on a PC and provides the ability to edit show files offline. EOE does not require a Wysiwyg dongle, so anyone can use it. Wysiwyg users using Wysiwyg Report, Design or Perform dongles will benefit from the increased visualization functionality. This first release will be file and feature compatible with Emphasis v1.8.0 and is available as a software kit or can be downloaded. EOE requires Wysiwyg Release 8 to be installed on the PC, but again, no Wysiwyg dongle is required.
ETC has also made improvements to the Emphasis user interface, including Navigation shortcuts that now save Mode/Layout, Popup, Design Tool, and Toolbar positions. This feature allows you to layout your screens and save the layouts for later use. Show Mode has also been enhanced and made the default setting.
Partial Show Read gives you a finer selection when reading data from other show files. You can read individual or ranges of Cues, Groups, Submasters, Focus Points, Dynamic Effects, and Macros. Enhanced Fader Clearing clears background cues played from that fader pair. (This means you can quickly get rid of last-action channels from moving lights by using the Fader Clear key, instead of accessing the background-overrides screen.)
This release also includes all libraries and features from Wysiwyg Release 8.
www.etcconnect.com
High End Systems is now shipping WYSIWYG dongles to all current owners of Wholehog III lighting consoles. Current owners must register for their WYSIWYG upgrade kit. To do this go to www.highend.com
Each upgrade kit consists of the most current Wholehog III operating software, WYSIWYG Console Edition software and a WYSIWYG dongle.
Since the release of Wholehog III operating software version 1.3.6 in May, all new consoles been bundled with WYSIWYG Console Edition software and dongles. This new version of WYSIWYG connects directly to the Wholehog III system via Ethernet. It provides 512 channels of visualization and auto-focus functionality. In future versions of Wholehog III software, additional functions such as patch transfer and blind preview will be possible.
WYSIWYG Console Edition is a feature-rich version of the well-known visualization tool, which includes CAD, data management and rendering functionalities. If additional channels of visualization are required, the supplied dongle can be easily and quickly upgraded to another level of WYSIWYG.
www.highend.com
Australian Distributor: ULA www.ula.com.au
A
sharper image with Martin Mania PR1The Mania PR1 is the fourth light fixture, and the first promotional projector, in Martin Professional's Mania series of low-cost lighting fixtures. This high precision optic luminaire is designed to project an image, logo, decoration or message onto walls, floors or ceilings.
With a rotating, interchangeable gobo (D-size), users can quickly change the image to suit the occasion. Gobo rotation speed is adjustable and the fixture projects a bright and clear image, say Martin. Also featured is a colour slot for interchangeable colour filters to increase the range of possibilities. The Mania PR1 houses a long-life 250W halogen lamp with manual focus and two spread angle options. As with all Mania products, there is no duty cycle - meaning no cool down periods - so it can run all night, say Martin.
Other lights in the Mania series include the Mania EF1i flower effect, Mania DC1 water effect, and Mania DC2 fire effect. The Martin Mania series will eventually encompass effect lights, colour changers, strobe lights, deco effects, scanners, promotional lights, smoke machines and more.
www.martin.com
Australian distributor: Show Technology www.showtech.com.au
DMX
USB interface from EnttecEnttec has released a community-based DMX USB interface - a USB to DMX widget that can be used by any PC to generate DMX using the USB port. The project is composed of hardware and a software driver. Enttec has released full schematics of the hardware and full source code of the example application on the website under a GPL license. The requirement for users is that they must give back to the community any improvement or change made to the project.
At Enttec we believe that it's important to lower the entry barrier for students and enthusiasts wanting to get involved with Lighting control and DMX512. This project allows anyone to download the information from the website and build their own interface. From there they can write software based on our example. Enttec also offers very low cost prebuilt hardware.
The project was released two weeks ago, and in that short time frame, we have received an outstanding support from enthusiasts, technicians and Lighting professionals. Pre orders of the pre built hardware have surpassed all expectations. Most users plan to write their own programs to 'test lights' or 'debug systems' using their laptops. There has also been significant interest from existing software developers to add support for the open DMX USB into their products. One company has committed their support and will be releasing a compatible version shortly. A mailing list has been setup to concentrate community interest in this new project, at www.enttec.com/dmxusb.php
www.enttec.com
New version 4.6.6.0 updates, accelerates, and facilitates design process
Helpful changes have been made to Martin Professional’s ShowDesigner (MSD) lighting design simulation software package. New version 4.6.6.0 contains a new set of keyboard shortcuts and additional mouse functions that accelerate and facilitate the virtual lighting design process. Additionally, a number of Bugfixes have been implemented.
MSD is a unique software tool that allows LD's to develop lighting designs in vivid 3-D computer graphics for advanced lighting simulation. The entire lighting design can be developed away from site - anywhere you can operate a computer - and then downloaded onto a lighting control system.
The latest updates, which can be downloaded from the Lighthouse website at http://www.lighthouse.nl/, include:
ShowDesigner, Modeller, Visualizer - 4.6.6.0
- Mouse Wheel Zoom in/out function
- Mouse Full-view function
- Mouse Pan-view function
- New mouse selections tools
- New shortcuts for most commonly used operations
- Added/Split camera move/swivel/pan operation
- New “Full View for all windows” button
ShowDesigner, Modeller - 4.6.6.0
- New box/line selection modes
- Added camera Undo/Redo support
- Changed toolbars’ style for better active operation feedback
- Picked object also part of the group (not just the selected objects)- Aligns the Bounding-box of a group to the orientation of the picked-object (if any) when constructing a group
- Added Undo/Redo buttons to the toolbar
- A number of Bugfixes have been implemented
ShowDesigner - 4.6.6.0
- Added “Select All” functionality (as in Modeller)
- Added a Fast-Patch operation
- “Arrow markers” replaced by an “AC-outlet” indicator to indicate the orientation of a fixture (needs latest fixture library update)
Modeller - 4.6.6.0
- Modeller displays name of library in caption text
Visualizer - 4.6.6.0
- Re-introduced the Focus operation as a Fan mode
- Added Fixture ID as a parameter to Fast-Patch
- A number of Bugfixes have been implemented
New Fixture Library
- New MSD Fixture Library with no less than 135 new fixture profiles and 90 updated profiles
- The new Fixture Library can be downloaded from the Lighthouse website
http://www.lighthouse.nl/download/fixtures/d_fixtures.htm
High End Systems’ DL1 digital light fixture now features an optional Sony camera accessory that forms the basis of its patented Digital Eye technology. The Digital Eye offers practical as well as special effect functions for event professionals. InfoComm attendees may see its exciting potential in High End Systems’ multi-media presentation June 9-11 at booth #5055 at the Georgia World Congress Center in Atlanta.
The DL1 is the “bridge” between video and automated lighting. It has all the appearance of an automated light on a moving yoke. It even functions like a moving light. But it is much more. It allows digital media images to be projected virtually anywhere in 3-D space.
Digital Eye Technology now further enhances the DL1’s capabilities.
The DL1 outfitted with the Digital Eye technology features an infrared illuminator on one side of the DL1's lens, while the Digital Eye is positioned on the other side -- both inside the fixture's shell. When the infrared illuminator is activated, the Digital Eye reads the infrared waves and responds to it, operating in the dark and without emitting any visible light itself.
The Digital Eye is outfitted with a serial interface that connects internally to DL1, allowing it to be controlled through DMX. It uses 9 channels of DMX to access or adjust settings, such as zoom, blackout, shutters, focus, selectable white balance and other functions.
In practical terms, the Digital Eye is able to "see" through a dark environment. This offers a myriad of possible uses, such as allowing lighting directors, stage managers and other event professionals to view set changes or check the band's position in the dark; it can also be used to capture an image of the band or set and project the infrared “night vision” image as an effect. It also functions as a standard video camera in professionally lit environments for many other potential uses.
For special effect functions, the Digital Eye can capture live action and project it through another DL1 projection/video wall as it happens. Or, the action can be captured and sent to the Catalyst Media Server, where it can be manipulated, colorized, layered and mixed with other Catalyst effects to be projected at that time back through another DL1 or projection/video wall. Live images may also be saved in the Catalyst Media Server as a digital file for future use.
Having a Digital Eye inside DL1's moving yoke allows the user to capture action from different and unusual angles where conventional cameras plus the cameraman cannot operate, or where a camera setup would normally be obtrusive to the view.
The technology is protected from theatrical effects such as fog, dust and pyro by DL1’s patent-pending filtration system.
High End Systems offers a Digital Eye upgrade kit for existing DL1 users. It may also be ordered as an option in a new DL1 purchased by authorized HES dealers.
www.highend.com
Australian Distributor: ULA www.ula.com.au
Coemar De Sisti Australia Pty Ltd have broadened their product range with the addition of an extensive new Architectural Solutions collection. The new range of products is designed to meet the needs of architects, designers and specifiers with complete lighting solutions for projects large and small. Combining an extensive series of high-output, long-life LED products with their established high-powered, colour-mixing wash lights, the range is suitable for both indoor and outdoor applications, with several IP-rated luminaires. In addition to the "off-the-shelf" products, the company also offer their expertise in manufacturing specialist luminaires for specific applications. For further information, contact CDA now on (03) 9467 8666 or via email at sales@cdaust.com.au.
www.cdaust.com.au
Motorised
Stands and Droppers from EuroPointEuropoint - A unique range of powerful motorized hoists and droppers, ruggedly constructed and suitable for lifting extremely heavy luminaires and other equipment. Features include:
· SWL: lifting capacities ranging from 100kg to 200kg
· heights: maximum heights up to 5m
· lightweight: aluminium construction with weights as low as 29kg
· motor: electric motorized lifting with manual back-up facility
· compact: closed dimensions as small as 1.8m
· accessories: leveling feet and wheels
Australian Distributor: Coemar De Sisti www.cdaust.com.au
Imagine
300 Projector from CDACoemar DeSisti Australia (CDA) has announced the addition of new products to its FX Range. Imagine 300 is an elegant new display projector, say the company, which allows the projection of a range of gobos for striking visual effects. Utilizing a high-output HTI arc lamp, the fixture is suited to a range of applications, including point of sale promotions and marketing events. Features include high-output, long-life arc lamp, twin condenser lenses, thermal protection, die-cast aluminium construction and a range of optional attachments including rotating gobo and adjustable pivoting mirror.
www.cdaust.com.au
VLPS:
Virtuoso EX1 Media Server demoVLPS Lighting Services is debuting the new video demo of the Virtuoso EX1 Media Server on its website (address below). Officially launched on 1 April, the EX1 media server employs a moving perspective camera and five-point lighting in a virtual 3D environment.
"The EX1 3D virtual environment contains two separate backgrounds, up to three interactive geometric objects, a positional camera and five light sources - which can be difficult to explain in words," comments Mike Snyder, EX1 product manager. "Plus, writing or talking about it just doesn't do enough justice to the EX1's capabilities. You really have to see it at work to appreciate its unique differences from the other media servers in the market."
Bryan Faris, senior programmer and developer of the EX1 video, says: "We've been holding ongoing demonstrations for clients at our studios but we wanted to bring a virtual "studio" to clients and other interested parties who can't make it to one of our offices by producing this EX1 video demo."
The full nine-minute version of the video demo introduces the viewer to the hardware specifications as well as the server's different features: background environment, lighting, 3D objects, camera perspectives, framing, keystoning, scaling, and a highlight of the VLPS media library. A two-minute video is also available for those who wish to see the highlights of the EX1 capabilities. Both versions can be streamed or downloaded at two different connection speeds. To obtain your own copy of the EX1 video demo, contact Lucy Zee at +1 818 507 0700.
www.vlps.com
At this year's ABTT show, lighting specialists Lee Filters will be unveiling eight new colour additions to its exclusive 700 series - filters created by some of the top designers in stage, screen and architectural lighting.
Rick Fisher, Dave Davey and Kate Wilkins were the latest group of lighting designers to be invited to the Lee Filters factory to work alongside the Research and Development team to create their own unique colours. Free from the constraints of existing products, the designers have been able to create exactly the mood or effect they require and produce solutions to specific problems.
The new colours from Dave Davey are Provence (701), Twickenham Green (736), Dirty White (744), Hampshire Frost (749) and Burnt Yellow (770). There are two new colours from Kate Wilkins - Virgin Blue (723) and Easy White (747) and one from Rick Fisher - Cool Lavender (708).
Each of the new colours is fully described with comprehensive technical data in the latest edition of the Lee Filters 'Art of Light' brochure, and a sample of each colour is available in the latest edition of the Lee Filters colour swatch book.
www.leefilters.com
Robe
releases ColorSpot 575 AT Robe's new ColorSpot 575 AT brings the features and design of the Robe's latest ColorSpot 1200 AT into a smaller fixture for those applications where space is a premium. Target applications include installations of all types - clubs, live and multi-purpose venues, theatres and retail environments, concert touring and events, etc.
The ColorSpot 575 AT includes effects such as two separate gobo wheels and two separate colour wheels (nine dichroic filters and open and eight replaceable dichroics plus open), all with Robe's "slot and lock" system; a remotely adjustable, motorized multi-step zoom with three different apertures of 15, 18 and 22 degrees; motorized iris; three-facet prism that rotates in both directions at variable speed; separate and variable frost effects and remote focus.
A new optical system and a new dichroic glass reflector dramatically optimizes the ColorSpot 575 AT's light output. Completely new software enables the very smooth rotations of gobos and prism, and users can select eight or 16-bit resolution for gobo indexing, prism indexing and dimmer. Other advantages like smoother pan and tilt movements and enhanced noise reduction facilities are also due to mechanical and software improvements. Lightsource is a compact high-pressure metal halide lamp with GX-9.5 base - approved model is the Philips MSR 575W/2. This has automatic control and remote on/off. The dimensions are extremely compact for the power and
flexibility of the luminaire.
www.robe.cz
Australian Distributor: ULA www.ula.com.au
Equipment
News December 2003 - February 2004
Equipment News November 2003
- December 2003
Equipment News August - November 2003
Equipment News July - August 2003
Equipment
News April - June 2003
Equipment
News January - March 2003
Equipment
News October - December 2002
Equipment
News August - September 2002
Equipment News May - July 2002
Equipment
News January - April 2002
Equipment
News September - December 2001
Equipment News August
- September 2001