Review: Elation Fuze Wash Z350
Posted on Friday, February 24th, 2017
For those who have attended the annual LDI conference in Las Vegas, you know how the conference floor can be overwhelming with thousands of products emitting high intensity light through the ever-present fog and haze. After stumbling into the vast and beautifully designed Elation Professional booth, I was pleased to discover several exciting new products. One of the standout new products was the Fuze Wash Z350 LED moving light.
Read the full review at http://www.churchproduction.com/story/main/elation-fuze-wash-z350-moving-light
Review: Chauvet Professional Strike 1
Posted on Tuesday, February 14th, 2017
Ever since I saw a Police reunion show a few years ago, I have had visions of moles on steroids. They had giant 9-lite moles that looked like they had par 56 bulbs in them as opposed to the normal par 36 bulbs we see in blinders. I thought to myself ten years ago, “Why doesn’t someone just make a “Build your own Blinder kit?”
Perhaps manufacturers were waiting for LEDs to get bright enough. Perhaps nobody but the folks at Chauvet thought about this. Either way, this is one happy designer to have a new toy in his toolbox. I can make giant 9 liters, L- shapes, T-shapes like crosses. I can blind my audience however I want – and not need a separate 400-amp service to do it. And I could care less about hanging these things in the rain.
Read the full article at: http://plsn.com/current-issue/39-road-tests/22005-chauvet-professional-strike-1.html
Review: Elation Fuze Series
Posted on Wednesday, January 18th, 2017
In this modern day of pixilation, it’s become so commonplace for the new par fixtures to act like eye candy as opposed to emulating the look of a gelled par 64. While there is nothing particularly wrong with the look of an LED wash light with many cells on its face, some designers as well as artists prefer the look of the older pars and moving wash fixtures of yore. This is where Elation’s series of Fuze fixtures comes in. They have a lens system that turns this line of RGBW COB wash fixtures into one homogenous beam.
Read the full review at: http://plsn.com/product-spotlight/21774-elation-fuze-series.html
Review: Blizzard Lighting Turbo Scan
Posted on Tuesday, January 17th, 2017
LDI 2016 was populated by many memorable displays and booths, not the least eye-catching of which was a giant (playable) Rock ‘em Sock ‘em Robots display built by Blizzard Lighting and ModTruss. The Wisconsin-based company has been involved in the lighting industry since 2010, when they sold their first fixture, the Flurry.
Automated moving lights today tend heavily in the direction of moving head fixtures — scanners are a relative scarcity; a rare bird indeed. Nevertheless, they have a significant advantage in one area: pan and tilt speed. The top speed of a moving mirror with its negligible mass can be screaming in comparison to all but the fastest moving heads, though the trade-offs are pan and tilt range. Today, we’re looking at one of these not-often-seen moving mirror fixtures, the Blizzard TurboScan.
Read the full review at: http://plsn.com/current-issue/39-road-tests/21775-blizzard-lighting-turbo-scan.html
Review: Ayrton MagicBurst
Posted on Tuesday, January 10th, 2017
Ayrton might be likened to the Apple of the LED lighting fixture world, creating fixtures we didn’t know that we wanted until we saw them. The utility of a moving-head strobe may not be immediately clear, and at first blush the idea of a pixel-mappable moving head strobe seems — perhaps — a little over the top. But play with the MagicBurst™ for an afternoon, or even a few minutes, and that opinion might change. While the concept is simple enough on the surface, there’s greater depth here than might be immediately apparent.
Read the full review at: http://plsn.com/current-issue/39-road-tests/21548-ayrton-magicburst.html
Review: Wahlberg DMX Winches
Posted on Friday, December 2nd, 2016
Wahlberg is one of the most respected names in scenic automation. This Danish company has been moving heavy scenic elements in extremely complex stage designs for decades. The new Wahlberg DMX-controlled winches are available in many sizes and weight loads. These include loads from 1Kg (2.2lbs) up to 50Kg (110lbs). This should be able to handle most of your rigging needs. In addition, these winches are DMX-controlled, meaning that motorized flying effects can be cued from your DMX lighting console.
Review: Robe Spikie
Posted on Friday, November 18th, 2016
Robe, the well-known lighting manufacturer based in the Czech Republic, continues to deliver innovative products. They certainly followed through again this time with the LED WashBeam. Yes, I said it, LED Beam fixture! Has LED finally reached the capacity to fully replace discharge lamps? Not quite, but we are getting closer.
Review: ETC ColorSource Consoles
Posted on Tuesday, November 8th, 2016
What is ColorSource? Electronic Theatre Controls (ETC) has given birth to a family of products that is continually growing. It started with an only child, a Par (wash) fixture, followed by spot fixture. Wireless DMX and relays shortly joined. Now, new to the family, is a series of four consoles: the CS20 and CS40 (reviewed here) and the soon-to-be-released CS20AV and CS40AV. (We’ll probably be kicking the tires of the AV consoles at some point down the road.)
Read the full article here: http://plsn.com/current-issue/39-road-tests/21044-etc-colorsource-consoles.html
Review: Clay Paky Scenius Profile
Posted on Monday, October 31st, 2016
It was just a few months ago that I was looking at the spot version of this light, the Scenius Spot (PLSN, March 2016, page 62). It impressed me then; Clay-Paky is known for their high quality fixtures, and this one was no exception, with excellent dimming and color mixing. This time, we look at the Profile version of the Scenius, intended to fill a role needing additional beam control and shaping — particularly useful in theatrical contexts, or as front lighting for actors and scenery.
Read the full review at: http://plsn.com/current-issue/39-road-tests/21047-clay-paky-scenius-profile.html
Review: Chauvet Maverick MK2 Spot
Posted on Thursday, October 27th, 2016
I recently had the pleasure of programming the Chauvet booth for InfoComm 2016. I was able to use the newest fixtures that the Florida-based company had to offer. The Maverick MK2 Spot especially impressed me. I didn’t even realize that it was an LED fixture until I was told half way through the day. I’ve known Chauvet to be the less expensive alternative to other manufacturers for years. This fixture has made me rethink my perception of Chauvet in several ways. Chauvet’s Professional product line is continuing the trend that the Nexus Panel started, taking Chauvet off of the alternate list and moving them to the preferred list.
Read the full review at: http://plsn.com/current-issue/39-road-tests/21045-chauvet-maverick-mk2-spot.html
Review: Martin RUSH MH 6 Wash
Posted on Wednesday, September 7th, 2016
A few years ago Martin Professional introduced the Rush line of lighting fixtures, providing more cost-effective options to balance out Martin’s excellent but pricey line of automated fixtures. With the lower price point and the Martin Professional name, they are certainly attractive to the church market. Here we are taking a look at the MH 6 LED Wash fixture.
Read the full review here: http://www.churchproduction.com/story/main/martin-professional-rush-mh-6-wash-fixture
Review: Robert Juliat Dalis 860
Posted on Monday, August 22nd, 2016
You probably recognize the name of the France-based lighting manufacturer, Robert Juliat, for their followspots. The company has now developed a purpose-built cyclorama wash light, the Dalis 860. (It’s spelled differently, but pronounced just like the city in Texas.) The fixture boasts a double row of 24 LEDs, an eight color mixing system and a new rigging method. Let’s dig a little deeper to see what makes this unit so innovative.
Read the full review at: http://plsn.com/current-issue/39-road-tests/20519-robert-juliat-dalis-860.html
Review: Chauvet Maverick MK2 Wash
Posted on Monday, July 25th, 2016
Chauvet Professional showed the world the prototypes for their new stellar line of fixtures, dubbed the Maverick Series, at the Prolight + Sound show in Frankfurt last April. This only whetted my appetite; I have waited a couple of months to get my hands on the first fixture of this series to be released, the Maverick MK2 Wash. Rest assured, the fixture lives up to its hype as a powerful wash light with some tasty effects.
Read the full review at: http://plsn.com/current-issue/39-road-tests/20293-chauvet-maverick-mk2-wash.html
Review: TourPro LightSky AquaBeam
Posted on Tuesday, July 19th, 2016
by Craig Rutherford
Today, we’re looking at the IP54 Light Sky AquaBeam from SHS Global. Originally known as a used gear company, SHS has since expanded their operations into distributing various lines, including the AquaBeam from Light Sky, an IP rated moving head beam projector with a lot of power. There’s still a solid place for arc-based lights in the industry; LEDs still don’t have the raw output needed for certain applications. Extremely short-arc lamps like the one found in the AquaBeam pack a tremendous punch for low wattage, which makes them very attractive for this class of narrow-beam moving heads.
Read the full article at: http://plsn.com/current-issue/39-road-tests/20294-tourpro-lightsky-aquabeam.html
Review: Martin MAC Axiom Hybrid
Posted on Friday, June 17th, 2016
In the last year or so, the industry has seen the advent of the small footprint, hybrid light fixture. Unlike the large model fixtures that can take the place of a wash, spot or beam fixture dependent on their light’s output beam, these smaller lights are not the all-in-one hybrids they claim to be. But as far as functions go, it’s plain to see that Harman’s Martin Lighting excels in areas where others took shortcuts and is hands down the best little moving light in its class right now.
Read the full article at: http://plsn.com/current-issue/39-road-tests/19987-martin-mac-axiom-hybrid.html
Review: Avolites Arena Console
Posted on Tuesday, June 14th, 2016
by Craig Rutherford
Avolites has been in the console game for a long time, but their popularity in the States was never as strong as in Europe. The choice of a console is a very personal matter for any LD, and — full disclosure — for many years, I chose to use consoles other than Avolites because I had a perception that they were difficult to use. The Titan operating system, introduced almost concurrently with an updated line of Avo consoles, however, sought to change all that, and today we’re going to look at their latest offering — the Avolites Arena.
Read the full article at: http://plsn.com/current-issue/39-road-tests/19992-avolites-arena-console.html
Review: Chauvet Professional Ovation E-910FC ellipsoidal
Posted on Tuesday, May 31st, 2016
The common perception of LED lighting versus the reality of today’s amazingly high-quality professional LED lighting products is a constant source of fascination for me. Many consumers think of LED lighting as “industrial” or sterile—while nothing could be further from the truth when it comes to modern products intended for the theatre. Case in point, the Chauvet Professional Ovation E-910FC, an LED “ellipsoidal” that utilizes a relatively new technology—Lime LEDs from Lumileds. This Lime color is exactly what it sounds like: a raucous, very tropical color that isn’t terribly pleasing to look at on its own. However, our eyes are most sensitive to the color green, and by adding those green frequencies into the color mix, we get increases in not only brightness but incredible color rendering as well.
Read the full article at: http://stage-directions.com/current-issue/110-gear-review/8452-lime-is-key.html
Review: Martin Atomic 3000 LED Strobe
Posted on Thursday, April 21st, 2016
Martin Professional has a very long history in the entertainment lighting and effects industry, starting way back in 1978 when founder Peter Johansen created a smoke machine from a coffee maker. Since then, the company has conceptualized and brought to market a huge number of effects, including the wildly popular Atomic 3000 DMX strobe, which has for many years dominated the market for strobe effects in concerts, special installations and live events. With the evolution of the market away from arc-based sources and toward LED, however, the creative minds at Martin decided it was time for a significant update to their flagship strobe.
Read the full review at: http://plsn.com/current-issue/39-road-tests/19460-martin-atomic-3000-led-strobe.html
Review: Robe BMFL WashBeam
Posted on Monday, April 18th, 2016
I have always been critical of hybrid lights. That’s because, for several years, I have heard boasts from several manufacturers that they have come up with the ultimate Swiss Army Knife of a fixture. Yet every time I drive a new one on a gig, I find something missing, or a trade off in certain features, that leaves me disappointed. I find lights where the lumens disappear when I pop out the tight narrow lens or a color system that is not up to snuff with what I desire. So I’m putting the BMFL WashBeam through the wringer to see if everything’s as great as what I’m hearing on the web.
Read the full review at: http://plsn.com/current-issue/39-road-tests/19459-robe-bmfl-washbeam.html
Review: Avolites Arena Console
Posted on Wednesday, April 13th, 2016
By David Martin Jacques
Avolites has been a household name in the professional stage and concert lighting industry for decades. “Avo” desks are known for their user interfaces that cater lighting artists who prefer instantaneous control of the lighting effects. This is why Avolites consoles are so popular among live music programmers/operators. The controls are easy to reach and are in the perfect place for instantaneous lighting control.
Avolites recently introduced the new Arena Console. This new lighting desk incorporates the same software and design interface of their popular Tiger Touch II console with additional capabilities for live lighting control.
Read the full review at: http://www.churchproduction.com/story/main/first-impression-avolites-arena-lighting-control-console
Review: Clay Paky Scenius
Posted on Monday, March 21st, 2016
Clay Paky is one of the most respected and well-established moving light companies on the planet, and they have a solid line of products going back well into the 1980s. The company seems to have a knack for releasing products that become hits — like the Sharpy, the Mythos and the B-Eye. Today we’re going to look not at the latest LED offering, but at a good old-fashioned large-format arc lamp fixture: the Scenius.
Read the full article here: http://plsn.com/current-issue/39-road-tests/19190-clay-paky-scenius.html
PRG ReNew Retrofit LED Light Assembly
Posted on Friday, February 19th, 2016
It seems that the days of the tungsten-halogen lamp are numbered. Just viewing the exhibit floor at this past year’s LDI Conference just confirms that LED’s have taken over as the primary light source for entertainment lighting. It was downright difficult to find many fixtures at LDI that still use the power-hungry incandescent and HID light sources.
So what do you do if you have already own an inventory of ETC Source Four lekos with tungsten-halogen lamps, but want to convert your lighting fixtures to LED? Well, you could spend approximately $2,000 to replace each older incandescent fixture with a new LED leko, or you could spend significantly less converting your present lighting fixtures to one of the several LED source conversion products available on the market.
Read the full article at: http://www.churchproduction.com/story/main/prg-renew-retrofit-led-light-assembly
Review: Elation eMotion
Posted on Thursday, February 18th, 2016
So-called digital lights have long tantalized both gear manufacturers and designers alike. The allure of being able to project any image, media clip, text, or anything else designers dream up is a powerful one, as it represents a design tool of immense potential. The technology has proved stubbornly elusive to get right however, with efforts hampered by expense and thermal management issues. With the new eMotion, Elation Professional takes on these hurdles in a compact and efficient moving head package aimed at the corporate AV, exhibition, theatrical, house of worship and club market.
Read the full article at: http://plsn.com/current-issue/39-road-tests/18988-elation-emotion.html
Review: Vibrio Lighting iPad App
Posted on Wednesday, January 20th, 2016
Newer-generation touchscreen devices have always held the promise of new and exciting ways for us as lighting designers and programmers to interact with our rigs. Carrying around a small tablet at a show beats standing behind a console in many situations — walk onto the stage and focus your movers on a particular spot instead of squinting from FOH, or explore during a show to get a different perspective. Previous control solutions were mostly console software shoehorned into the device’s OS, which was hardly ideal. Enter Vibrio from Toast Mobile, an application built from the ground up to control small to midsize rigs on Apple’s iPad family of devices.
Read the full article at http://plsn.com/current-issue/39-road-tests/18698-vibrio-lighting-ipad-app.html
Review: Strand Neo Lighting Console
Posted on Wednesday, January 13th, 2016
It comes with one DMX universe, but fixtures from the Philips group of lighting companies do not count against your channel count. This is brilliant marketing.
Oh my, how I do enjoy playing with new lighting consoles. It’s fascinating to see how different manufacturers design approaches (they call it syntax) to the often laborious task of lighting design. Many consoles are capable of creating the same end results, but how you achieve those results couldn’t be more different.
Read the full article at: http://www.churchproduction.com/story/main/strand-neo-lighting-control-console