VuePix Screen for FAMOUS
Posted on Thursday, October 12th, 2017
Run by the team with combined 40 years of experience in the industry, FAMOUS is definitely set to provide first class entertainment.
“It’s time to bring a unique ‘Las Vegas’ styled urban nightclub to Brisbane”, says Patrick Donohue, one of the owners. And that is exactly what the team has delivered.
This fresh new state of the art venue is located in Brusnwick Street Mall, right in the heart of Fortitude Valley’s entertainment precinct, offering a unique space with classy international vibe.
AU Music Productions have been appointed as the in-house AV technicians, specifying all the lighting, audio and visual technology for the club. Steve Windolf, MD of AU Music Productions, has approached the ULA Group team to supply a full-wall LED screen, to be installed in the VIP area, right behind the DJ deck.
The VuePix QE Series was a natural choice for this environment, offering a cost effective solution without compromising on a superb visual performance. The QE series panels are lightweight with die cast aluminium frame and seamless design and feature high brightness LEDs, delivering great visuals in any light condition.
Eight meters wide and 1.5mtr high screen, spanning across the whole wall behind the DJ in an area for privileged guests, has become a perfect platform for creating unique club looks and setting up the vibes for each night, as well as for promoting club’s partners, sponsors and upcoming events. “We are creating an actual unique event to remember week after week”, says Patrick Donohue.
Hornsby RSL upgrade with Show Technology
Posted on Thursday, September 28th, 2017
The most recent upgrade saw Show Technology supply twelve ShowPro LED Flood EX21, thirty-four Nitec LED Hex PAR 12’s and six Ayrton MagicDot SX. Prior to that, the Club had purchased eighteen ShowPro Hercules uplighters which Nick described as an amazingly versatile fixture they all love.
Considering the Club was used to having only fourteen moving heads and over 60 standard PAR cans, the extra Hercules were very welcome to fill in a few gaps however there was still a need for more back light.
“We also wanted to get some more intelligent lighting into the rig – basically we just needed more fixtures,” said Nick. “The Club has been very enthusiastic in upgrading the auditorium aiming to be one of the best venue options in the area.”
The auditorium is limited in power patch so not having to dedicate a circuit per fixture anymore has made a huge difference. The weight loading on the bars and trusses is also limited and so a fixture that can offer more – yet weigh less – was a big bonus.
“A number of our trusses hang on steel lines so if you’ve got big, heavy movers on them, they can sway,” added Nick. “The Club were very pleased to be switching to LED as there has been a big push towards power saving and energy efficiency. We removed over 40 PAR cans and replaced them with LED fixtures that use less than 150 watts a piece for significantly greater output.”
Smaller, lighter and brighter – the Ayrton MagicDot-SX was the obvious solution. Their ultra-rapid beam movement and continuous, unlimited, rotation on pan and tilt plus compact made them a sure winner. The MagicDot-SX has a revolutionary 8:1 optical zoom that has a fixed transmitting lens, no visible moving parts and an incredible zoom range of 5° to 40°.
The short stroke of the zoom system permits MagicDot-SX to switch from intense beam mode to sweeping wash mode virtually instantaneously.
“The Ayrton MagicDot-SX offer incredible brightness and a longer life span than the Robe Spikie fixture we had been considering,” commented Nick. “They are also incredibly small and fit nicely in between the ShowPro EX21 fixtures. They also have an excellent zoom, the ability to get a tight punchy beam or pull it right out to potentially use as a wash is fantastic. And they move really, really fast! The movement speed and continuous pan/tilt are great.”
Nick was keen to ensure all of the fixtures offered RGBW LEDs as he really does not like colour wheels, in fact a whole bunch of other products were scrapped off the list straight away due to this requirement.
The ShowPro LED Flood EX21 fixtures matched his criteria and are used as cyc panels, either forward or rearward facing depending on how much the team at GNB want to blind the audience!
“We’d used the EX21 fixtures in the past with some of our visiting acts and we’ve always had a good experience with them,” he said. “The way they all daisy chain together is really easy to set up and they are so bright, it’s just ridiculous. I can’t believe that there is even an EX36 option. They’ve worked really well for us, they sit tight up against the bar so we can have bars beneath for us to hang banners from, which has worked really well for our rigging situation. They have a wide field of motion which means we don’t have to put a lot of effort into swapping them from cyc lights to rear blinder bars.”
The Nitec Hex PAR 12 is a rugged LED wash light that features four selectable dimming curves, high-frequency LED modulation for flicker-free video playback and an infrared sensor for optional IR6 remote control.
“The Nitec Hex PARs were simply the best fitting on the market in that price range,” added Nick. “They have a heap of light output, 6-in-1 RGBAW+UV LEDs, we can daisy chain them all together, and they have some inbuilt effects. Basically they are easy to use, fit our budget and requirements and allowed us to move from having heaps and heaps of PAR64’s to having less fixtures but with more versatility.”
Nick remarked that the service from Show Technology has been excellent and that Gareth Mealing, Technical Sales & Support Sydney, was great answering all of his questions, and was able to get everything to him quickly which was important.
Full Boar 4s cruise with P&O
Posted on Tuesday, September 19th, 2017
Brisbane’s Point Source Solutions are specialist AV integrators that pride themselves on making complex systems work. With skills across multiple disciplines, Point Source can do everything from event management, to networking infrastructure, to LED video screen design. With a diverse roster of clients, Point Source recently found themselves aboard two P&O cruise ships, the Pacific Dawn and the flagship Pacific Explorer, upgrading their theatre’s lighting system with High End System’s Full Boar 4 consoles.
With a rotating line-up of productions created for the global cruise giant by Sydney’s Grayboy Entertainment, theatre on the P&O line is just as complex and technical as it is on dry land. Grayboy’s lighting designer Gavan Swift is a dedicated Hog user, and specifies High End Systems consoles for all of the P&O shows. As part of a major upgrade, both the Explorer and Dawn’s Full Boar 3s were retired and directly replaced by the latest Full Boar 4s.
“I specified the Full Boar 4 firstly due to its ease of use and intuitive control interface,” said Gavan Swift. “The second reason was that the Full Boar is a direct upgrade from the Hog 3 with similarities in how the two consoles operate resulting in less training for the on-board crew who have to program and operate the lighting console on a daily basis. Whilst the Grayboy production shows are the primary focus for the theatre on-board, there are daily events that need to be lit and a number of guest entertainers who need their shows programmed and operated. Ease of use and a smooth upgrade of the lighting control technology is essential and the Full Boar 4 was the perfect choice.”
“The Full Boar 4s went in beautifully,” said Point Source Solutions’ John Buchanan. “They were directly replacing a Full Boar 3 with DP8000 DMX processor, so all of the networking was already in place. Sorting out some minor universe issues took 15 minutes. The system on the Explorer is running a Pathway network, with Art-Net going to primary and redundant media servers, which run visuals to LED screens. That’s why we love the new support for CITP that means we get content thumbnails on the console!”
With Gavan Swift in to programme a new show, the Full Boar 4 gave him all the control he needed to get it plotted and running efficiently. “Gavan loved the ability the run four screens,” John related. “The two internal 15.6 inch touchscreens and support for two external screens meant that Gavan could get all the visual information he needed while programming.”
From the integration side, John and Point Source appreciated the Full Boar 4s ability to handle multiple network protocols. “It’s extremely useful for us to be able to run sACN and Art-Net at the same time,” explained John. “We’ve found the Pathway Pathport Ethernet DMX nodes prefer sACN to Art-Net, but the media server they’re using needs Art-Net. The Full Boar 4 not only does both, it is rock-solid and stable – I have never run into an issue when doing this on a Hog.”
The Full Boar 4s life on the waves will be fully supported by Lexair, High End System’s distributor for Australia and New Zealand. “Lexair are fantastic,” John emphasised. “They are always on the phone if you need support. They are a great team that we have worked with for years. We’ve done many, many projects with them and have multiple ongoing right now.”
Festival of Lights with NW Group
Posted on Wednesday, September 13th, 2017
Brisbane’s Westfield Chermside hosted the Festival of Lights for a few nights in August. Each night from 6 – 9 pm, the dining precinct was transformed into a hub of lighting, interactive displays and live music. There was a fireworks display each night at 6pm, and light shows every hour on the hour, as well as live DJ’s.
NW Group provided lighting including 50 x Claypaky Sharpy Spots housed in rain proof Igloos, 10 x ShowPro Hex36 LED flood lights and 12 x Vari-lite VL2500 Spots. Atmosphere was provided by 12 x Look Solutions Viper Smoke Machines with control by a HES Roadhog4. Also supplied were ELC Data distribution network over Fibre and LSC Power Distribution.
Canberra Theatre upgrades to GDS ArcSystem
Posted on Monday, September 11th, 2017
Canberra Theatre Centre is Canberra’s premier performing arts venue comprising of the 1,240 seat Canberra Theatre, The Playhouse seating 614 and The Courtyard Studio, an intimate rehearsal and performance space that seats up to 92 patrons.
The Canberra Theatre and The Playhouse were in need of new house lighting systems and so a tender was released that was won by local Sound and Lighting Specialists Sound Advice, who have extensive experience in architectural and theatrical lighting projects.
“The Canberra Theatre’s existing system had really, really old Strand dimmers dimming PAR38 lamps flown in what were arguably acoustic panels at one point,” said Norman Korte, managing director at Sound Advice. “They were similar to a fiberglass rectangular cloud hanging above the seating and due to access issues, the lights in them were difficult to reach. So each of the downlights had a lid which was attached to a piece of rope and a conduit with a very large hook on it …. let’s just say it was interesting to watch!”
Andrew Tweedie, head electrician at the venue, wanted a solution that provided a warm colour temperature of 2700°K and a completely smooth dimming curve as he wanted to be able to produce nice long fades down to zero. Andrew was also eager to retain the look and feel of tungsten but was interested in the economic benefits of modern LED fixtures in the theatres.
Consequently, Norman demonstrated the GDS ArcSystem of overhead LED products designed for installations where dimming, light quality, high colour rendering and ease of installation are absolutely essential.
“I showed them how beautifully the ArcSystem dims, with perfectly smooth dimming from 100% down to absolute zero, and they approved it for both theatres,” he remarked. “We supplied a cabled DMX solution to each theatre as Andrew Tweedie did not want to use the in–built wireless technology.”
ArcSystem luminaires come in in a variety of form factors, beam angles, and colour-temperature options, all with high-efficiency optics and an outstanding quality of light ideal for any application. In The Playhouse, 18 x ArcSystem Pro Four-Cell Pendants were mounted one for one in the old locations on the lighting bridges.
In The Canberra Theatre, 94 x ArcSystem Pro One-Cell luminaires were installed to provide high-quality light and smooth dimming with noiseless operation. These single, circular fixtures were installed into the lower ceiling areas.
Due to the height in the Canberra Playhouse, the existing downlight luminaires were replaced with Four Cell Round luminaires mounted to the stage lighting catwalks and the smaller One Cell luminaires for the Level 2 seating.
“In that space there are also some legacy incandescent battens that backlight wash all the seating levels in the tiered venue and, at this point there is no LED replacement for them,” began Norman. “So we’ve used an ETC DRd Power Control solution including ETC Paradigm dimmers to run all the legacy battens.”
Each Theatre uses the ETC Paradigm Control system including the touchscreen in a table top kit with fly cable to allow operators to place it where they want in the control room. Multiple pages and scenes were created on the touch screens include a custom GUI interface to enable the operators to vary fade times to suit. ETC button plates allow for simple recall of selected presets from locations such as Stage Manager, House Manager and strategic door and cleaner locations.
DMX distribution throughout the spaces is provided via previously installed Pathway Connectivity Pathport Switches and Nodes which enable the existing ETC Gio consoles to talk directly to the house lighting universes as required.
BAR36’s Amazing Transformation
Posted on Wednesday, September 6th, 2017
The Reef Hotel Casino’s BAR36 is a sophisticated venue, combining high end sound design with state of the art lighting and vision system, setting the stage for an atmosphere unlike anything else in Cairns.
BAR36 offers five nights of live acoustic acts every week and then on Friday and Saturday nights, things get more upbeat with a full band, lighting effects and a few more decibels.
Earlier this year, Cairns-based Jam Productions were tasked with redesigning the stage lighting as well as providing the fixtures and creating the content for the large LED screen that forms a backdrop to the stage. The stage is quite small, 4.5 metres deep and 9 metres wide, and so fixture choice was not simple.
Added to that, the venue wanted both an intimate stage and a big stage and so they chose to install an LED screen that, at the press of a button, rolls towards the front of the stage thus making the performance area more intimate. During the day the screen also runs promotional material from the front position.
“The screen solution was great in theory but it meant that we couldn’t place a fixture anywhere!” commented Justin Ogge, Director at Jam Productions. “We came up with lots of ideas to try get around the problem. Also, when the screen is in forward mode, the client didn’t want to be able to see any light fixtures or truss.”
Justin thought of the Ayrton range of products that are low profile but still deliver a lot of bang and were ideal for fixing to the top of the LED screen. Along the top of the screen are four Ayrton MagicBlade R and six MagicDot R fixtures.
“We designed a bracket that we could hook over the back of the screen rigging bar which meant the lights sat really nicely on top of the rigging bar,” added Justin. “Downstage we designed two brackets that are bolted to the wall, you pull the pin out of the top and the bracket drops down so you can easily move the fixtures around. They’re very close to the wall and don’t obstruct the screen, in fact there’s only 200mm between the screen and the wall.”
“I can’t think of any other fixture we could have done this with to achieve the same results,” he said. “The size of the products and what you get out of them is phenomenal. They were perfect for what we were trying to achieve in such a small space and make it look so much bigger than what is really is. Plus wherever they use the screen they can use the whole lighting rig.”
Justin remarked that he very much likes the pastel colours he can achieve with the Ayrton fixtures, colours that are very difficult to achieve with most LED fixtures.
“Even the golds are really good in them,” he added. “I was surprised how good the gold colour was because traditionally you can’t get a great gold out of a LED fixture.”
Four RUSH MH1 Profile Plus fixtures are placed on the floor of the stage whilst out in the room there are four lighting bars with each bar hosting a Martin RUSH MH6 for dance floor wash. The front bar also has four Martin RUSH PAR 2 RGBW Zoom fixtures, chosen for their zoom capabilities in a venue with such a low roof. Justin reports that he was amazed by these and that they easily wash the entire stage. Also on the bars are four ShowPro LED Profile HP’s which are so bright, Justin has limited them in the console so that they can’t run above 50%!
“We don’t need them any brighter than that!” he said. “I love how really even their coverage is with no hotspots.”
A JEM Hazer Pro supplies atmospherics. Justin took an intuitive approach to programming as there are no trained staff on duty for most shows so the lighting needed to be easy to operate and understand.
Brimbank City Council enlist Lightmoves
Posted on Friday, September 1st, 2017
Located in the centre of Melbourne’s west, the Brimbank City Council is just 11km from the CBD with easy access to local transport infrastructure. As a growing multicultural community it offers the land, linkages and location necessary for Melbourne’s growing Western Region to thrive.
Brimbank City Council enlisted Lightmoves to help highlight the main shopping strip in Sunshine, Hampshire Road, and add new atmosphere to the area. Lightmoves were engaged to not only commission the project, but also to design & install the entire system.
Following another successful implementation in a separate project, the Philips ColorKinetics Vaya Tubes were selected as the main fixture behind the installation. Four catenary wires are used to suspend double-sided Vaya Tubes above Hampshire Road to create a beautiful lighting installation that can be seen from any point along the shopping strip.
Brimbank City Council had also commissioned local artists to provide various pieces of artwork along the walls of an intersecting laneway, Macdonald Lane. The council wanted the community to be able to enjoy the artwork at night whilst maintaining a safe atmosphere for the locals. As a result, Lightmoves designed the laneway lighting to provide ample illuminance on the various art pieces, as well as providing general lighting to maintain safety. Utilizing various Space Cannon Elle fixtures, Lightmoves were able to create vibrant colour themes across the artworks, whilst providing a warm & inviting wash throughout the laneway. In addition, extra texture and movement was generated along the laneway thanks to two Grand Lighting Outdoor LED Gobo Projectors displaying rotating patterns across the pavement.
Coloured light shows in Macdonald Lane have been programmed to match the lighting along Hampshire Road, making great use of the flexibility of the Pharos LPC controller. The Pharos LPC has been set to display different programs for different seasons throughout the year, in addition to customised light shows which run on specific dates such as the Lantern Festival and Christmas, just to name a few.
The Brimbank City Council has been amazed by the results achieved through such a simple setup, with locals stopping in their tracks to watch the various lighting displays. Lightmoves and Brimbank’s illuminating light installation is another practical addition to help transform this growing community.