Defqon.1 2017 with CTS
Posted on Wednesday, September 20th, 2017
Mainstage lighting and rigging provided by Chameleon Touring Systems.
The Mainstage Rig consisted of:
24 x Martin MAC Viper Profile
16 x Martin MAC Viper Wash DX
16 x Claypaky Sharpy
8 x Claypaky Scenius Profile
24 x Martin Atomic LED
50 x ShowPro Active Sunstrips
26 x ShowPro EX36 LED Wash
40 x Chauvet Colorado Zoom LED Pars.
70 x ShowPro QUAD 18 LED Pars
8 x ShowPro Truss Mate LED.
2 x MA Lighting grandMA Full Size.
4 x MA Lighting grandMA NPU.
50 x Molefay Duet
10 x 650w Fresnel.
4 x Martin ZR44
6 x Martin AF1
4 x MDG (supplied by LaserImage)
56 x Rain hats
8 x ShowPro Airdomes
5,183m of Cable.
996 Amps of power.
252 x Circuts.
676 Pieces of Global Truss.
289 Global Spacers
70 x Cubes
53 x Pieces of Circle.
88 x Various length pipes.
3250 x Pins/Clips
3 x 48ft Semi Trailers
LX Designer: Frans Jansen
LX Programmer: Robbert-Jan Vernooij
4x Chameleon Crew:
LX Crew Chief: Danyon McCue
LX Systems: Kareena Daws
LX Systems: Matthew Garrett
LX Systems: Dan Went.
Chameleon Account Manager: Toby Sewell.
Big thanks to Seth, Niels and Hans from HABO, and Frans for all their help in getting this together.
Creative Productions out with Dream Theater
Posted on Wednesday, September 20th, 2017
In an unusual turn of events, Creative Productions spent the weekend preparing the lighting, rather than being out on gigs, so that come Monday they were ready load the Dream Theater tour which sees one night performances in Sydney and Melbourne during the week.
The touring lighting rig comprises of nearly a hundred fixtures including GLP GT-1’s, JDC-1 Strobes, X1 Led Beams, X4 Bar 20’s and X4 Led Washes alongside Ayrton MagicBlades and Robe BMFL’s.
Lighting control is none other than an MA Lighting full size MA2 with a MA2 light for backup.
Rigging for the show also comes from Creative with some twenty hoists, motor control and our pre-rig truss.
Concert Photos: Peter Sharp
Integratd light Montaigne
Posted on Wednesday, September 13th, 2017
Integratd were given a brief to lift the energy of the production to meet the energy of Montaigne, and therefore lift the whole energy of the show to new heights.
“So playing with that idea of heights, we wanted to go with an idea that would feel intimate but still fill out the space so we tried to go high which is always difficult in a venue like The Metro,” commented Integratd’s Matt Doherty. “The biggest struggle, like always with this sized tour, is making a finished product that is scaleable between venue sizes in Australia but also works for the budget.”
The main element of the rig were 69 x Martin VDO Sceptron 10, which were used to fill out the space and create a very intimate feeling.
“The Sceptrons helped us create our sense of height and were all mapped by one of our Mac Mini media servers running PRGs Mbox Mini software,” added Matt. “Then we had a total of 12 x Martin MAC Auras, eight on the rear upstage truss and four on the floor, and these were the real workhorse. They were our beam lights in the fast paced upbeat stuff and also our beautiful wash lights in the downbeat somber songs. Also on the floor were 6 x Martin Quantum Profiles to give us the big gobo backlight looks that Montaigne was after. We also had 6 x Claypaky Stormy CC’s which I love the colour and output of, and then also 8 x Duets to make sure Montaigne could see her audience, which is something she’s really passionate about.”
Matt’s favourite moment of every show is always the first blackout when the house goes down and the stage goes down and the entire crowd just erupt into screams.
“That’s always gives me the feels!” he said. “But that’s more of a lack of light moment, my favourite lighting moment would be the song Till it Kills Me where the brief was the lights need to be crazy so that was a lot of fun! The entire song was done on flash buttons – if I took my hands off the console the entire stage would have gone into black out so I was always pressing something! However it got really annoying when keys started popping off the console, I may have got a bit carried away…”
All the gear was supplied by Chameleon Touring Systems.
Photos by Peter Zaluzny
EI Productions with AFI
Posted on Tuesday, September 12th, 2017
EI Productions are supplying lighting, audio, transport and crew for their dates here.
Audio features are Allen + Heath D Live S7000 at FOH, Avid Profile on mons and Sennheiser EW300 G3 IEM’s.
The lighting package includes Claypaky Stormy CC LED Strobes, Sharpys, Martin Auras, Pro Shop X-Blinder 4, Unique hazers and some tri truss uprights.
Crew were Bryce Mace, Murrey Carr, Chad Halford.
Creative Productions kick off with Isagenix
Posted on Friday, September 8th, 2017
Creative Productions has had the pleasure of working with Isagenix for the second time this year – with their annual “Summer Kick Off” for 2017. It’s a conference for some 2000 associates and this year it’s being held at the Royal International Convention Centre in Brisbane, Australia.
The vision production supplied for this event featured a massive 12m x 4m 4.8mm Tour Pro Led Wall as the centrepiece and backdrop, with a similar pair of 7m x 4m screens either side of the stage.
In the current trend for Creative, GLP featured predominantly in the lighting design with GT1 moving lights and X4 Bars whilst ROBE BMFL’s also added to the installation.
The audio control package featured a Yamaha CL5 Console with nearly twenty channels of Shure UHF-R radio microphones and a Dante based distribution system to pick up replay lines and provide record and monitoring feeds.
Creative also supplemented the in house rigging with some twenty odd motors and a truck load of trussing.
Avolites Ai RX8 Media Server Powers Visuals at CGEN 2017
Posted on Tuesday, September 5th, 2017
IKONIX has supplied an Avolites Ai RX8 media server and two Avolites Miami Dongles, to run 960 gigabytes of content for Queensland’s largest youth performing arts event, Creative Generation (CGEN) – State Schools on Stage 2017. The event, now in its 13th year, was held at the Brisbane Convention and Exhibition Centre in Queensland. GCEN aims to mentor the next generation of performers, providing opportunities for them to work with professional artists.
More than 1800 students aged between four and seventeen took part in this year’s event. Zachary Burton, co-founder of IKONIX alongside business partner Richard Saunders, worked with the CGEN team to manage and coordinate the production’s entire lighting and video aspect.
“IKONIX has been working with CGEN since 2014,” says Burton. “This year we decided to use the Ai RX8 media servers to map out and control the video content for the production’s 38m x 6m rear screen.”
Discussing why IKONIX selected the award-winning media server, Burton says, “The Ai RX8 server is a high performance media server. The integration between Ai RX8 and our lighting console for CGEN was fantastic. Integration was high on our agenda as we had two other media servers in operation as well as our Ai systems. Ai was also the easiest system to program and make changes to on the fly, which is an aspect we really like.”
The video content for CGEN’s back screen was displayed at a resolution of 7000 x 1080 pixels and managed over four layers. Burton used a mix of timecode and live control to operate during the shows.
“We used a lot of timecode integration so we could synchronize video playback with lighting, automation and the live bands running click track,” says Burton. “We had a mix of playback as well, including free run content that integrated with the timecoded sections.”
Burton also introduced numerous on-the-fly edits, “Ai does live editing really well,” he says. “For CGEN we introduced things like flipping the orientation of content, colour correction, colour intensities and playback speeds to keep the content engaging and upbeat.”
For the setup, IKONIX networked an RX8 Ai server as the main server and a custom-built back-up server running Avolites’ MIAMI dongle. A second dongle was used on the team’s Metabox laptop computer for pre-programming and testing. The entire network was setup to operate over Ethernet via Art-Net.
“Being in Australia can sometimes mean it is difficult to receive the correct support from big overseas companies,” concludes Burton. “That is not the case with Avolites. Their team has been great to us and their software developers are forward-thinking and always open to suggestions. The customer support is phenomenal and we love working with them.”
CGEN was presented by the Department of Education and Training and sponsored by QUT, AEG Ogden, The Courier-Mail, Network Ten, Nova 106.9, The Brisbane Convention and Exhibition Centre and QSuper.
EI Productions with Client Liaison
Posted on Monday, September 4th, 2017
It was the first tour outing for some of their VuePix ER5.9 LED Screen (33 panels on this one) plus Claypaky B-Eye K20, Mythos 2, Sharpy, Stormy CC LED Strobe, Martin MAC Aura, MAC Viper Profile and 4 Liters. All controlled by one of their Roadhog Fullboar 4 + Wing by Rowan Denny.
Oh… and a bunch of our Megadeck.
Crew having a great time – Duncan McFarlane, Daniel Callaghan, and William Todd.